LEADER 01099nam a22002651i 4500 001 991000309889707536 005 20030307162317.0 008 021001s1976 it |||||||||||||||||ita 035 $ab11987418-39ule_inst 035 $aARCHE-007721$9ExL 040 $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a801.9 100 1 $aCostanzo, Mario$0153621 245 13$aLa critica del Novecento e le poetiche del barocco /$cMario Costanzo 260 $aRoma :$bBulzoni,$c1976 300 $a194 p. ;$c21 cm 490 0$aBiblioteca di cultura [Bulzoni] 650 4$aPoetica$xItalia$ySec. 17.$aStudi 907 $a.b11987418$b28-04-17$c01-04-03 912 $a991000309889707536 945 $aLE008 FL.M. VII G 59$g1$i2008000041854$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12270143$z01-04-03 945 $aLE008 Cr E X 10$g1$i2008000216955$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12270155$z01-04-03 996 $aCritica del Novecento e le poetiche del barocco$9131949 997 $aUNISALENTO 998 $ale008$b01-04-03$cm$da $e-$fita$git $h3$i2 LEADER 04495nam 22005175 450 001 9910255345903321 005 20200704062230.0 010 $a981-10-1869-3 024 7 $a10.1007/978-981-10-1869-5 035 $a(CKB)3710000000776901 035 $a(DE-He213)978-981-10-1869-5 035 $a(MiAaPQ)EBC4621095 035 $a(EXLCZ)993710000000776901 100 $a20160802d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAnthology of Philosophical and Cultural Issues $eAn exploration into new frontiers /$fby Yijie Tang 205 $a1st ed. 2016. 210 1$aSingapore :$cSpringer Singapore :$cImprint: Springer,$d2016. 215 $a1 online resource (XVII, 231 p.) 225 1 $aChina Academic Library,$x2195-1853 300 $aIncludes index. 311 $a981-10-1868-5 327 $aPreface -- On Truth, Goodness and Beauty in Traditional Chinese Philosophy -- The Anti-traditionalism of the May Fourth Movement and Academic Freedom -- On Culturally-hinged forces during the Cultural Transitional Period -- Concerning Spirit and Beliefs at the Turning of the Century -- May Fourth Movement and the Debates on Transitional Culture -- A Bird?s-Eye View of the Impact of Western Philosophy on the East -- Repositioning Confucianism in a New ?Axial Age? -- Several Crucial Points on Cultural Issues -- Synthesizing Chinese Learning with Western Learning Chronologically in Breaking a New Path -- Three ?Carry on? orientations in Modern Chinese Philosophy -- Confucian Ethical Codes and Modern Chinese Entrepreneurial Spirit -- Chinese Philosophy Under the Influence of Western Philosophy -- Neo-Confucianism and Chinese National Rejuvenation -- On Ma Yifu?s Theory of Six Classics -- The Integration of Confucianism, Buddhism and Daoism -- Confucianism and Marxism. . 330 $aThis book collects sixteen theses written by Professor Tang Yijie, one of the most prominent scholars of traditional Chinese philosophy. He argues that a general understanding of traditional Chinese philosophy can be achieved by a concise elaboration of its truth, goodness and beauty. He also asserts that goodness and beauty in Chinese philosophy, combined with the integration of man and heaven, knowledge and practice, scenery and feeling, reflect a pursuit of an ideal goal in traditional Chinese philosophy characterized by the thought mode uniting man and nature. He also discusses the anti-traditionalism of the May Fourth Movement, explaining that the true value of ?sagacity theory? in traditional Chinese philosophy, especially in Neo-Confucianism in the Song and Ming dynasties, lies in its insights into universal life. In addition, he stresses that existing ideas, issues, terminologies, concepts, and logic of Chinese philosophical thought were shaped by Western philosophy. It is necessary to be alienated from traditional status for the creation of a viable ?Chinese philosophy.? ?Modern Chinese philosophy? in the 1930s and 1940s was comprised of scholarly work that characteristically continued rather than followed the traditional discourse of Chinese philosophy. That is to say, in the process of studying and adapting Western philosophy, Chinese philosophers transformed Chinese philosophy from traditional to modern. In Chapter 13, he puts forward the idea of a ?New Axial Age.? He emphasizes that the rejuvenation of Chinese culture we endeavor to pursue has to be deeply rooted in our mainstream culture with universal values incorporating cultures of other nations, especially the cultural essence of the West. 410 0$aChina Academic Library,$x2195-1853 606 $aPhilosophy, Asian 606 $aHistory?Philosophy 606 $aNon-Western Philosophy$3https://scigraph.springernature.com/ontologies/product-market-codes/E44060 606 $aPhilosophy of History$3https://scigraph.springernature.com/ontologies/product-market-codes/711030 615 0$aPhilosophy, Asian. 615 0$aHistory?Philosophy. 615 14$aNon-Western Philosophy. 615 24$aPhilosophy of History. 676 $a190 700 $aTang$b Yijie$4aut$4http://id.loc.gov/vocabulary/relators/aut$01062310 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910255345903321 996 $aAnthology of Philosophical and Cultural Issues$92524267 997 $aUNINA LEADER 06295nam 22006975 450 001 9910309855103321 005 20240702113727.0 010 $a9783319971575 010 $a3319971573 024 7 $a10.1007/978-3-319-97157-5 035 $a(CKB)4100000007587683 035 $a(MiAaPQ)EBC5651747 035 $a(DE-He213)978-3-319-97157-5 035 $a(Perlego)3483164 035 $a(EXLCZ)994100000007587683 100 $a20190128d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEuropean Film and Television Co-production $ePolicy and Practice /$fedited by Julia Hammett-Jamart, Petar Mitric, Eva Novrup Redvall 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (377 pages) 225 1 $aPalgrave European Film and Media Studies,$x2634-6168 311 08$a9783319971568 311 08$a3319971565 327 $a1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall -- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera -- Part I: Policy and Practice of Co-Production: Scholarly Voices -- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart -- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric -- 5. From Co-productions to 'Co-distributions'? Re-evaluating Distribution Policies for European Film, Philip Drake -- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen -- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir -- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall -- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik -- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling -- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco -- 12. European Co-productions and Greek Cinema Since the Crisis: "Extroversion" as Survivall, Lydia Papadimitriou -- 13. Exporting the French Co-production Model: Aide aux cin?mas du monde and Produire au Sud, Ana Vinuela -- Part II: Policy and Practice of Co-production: Industry Voices -- 14. 'Official Co-production in the EU: The Role of Eurimages'-an interview with Roberto Olla, Julia Hammett-Jamart -- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold -- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren -- 17. Minority Co-production: Insights from MEDICI, Joelle Levie -- 18. 'Co-development Initiatives in Europe'-an interview with Isabelle Fauvel, Petar Mitric -- 19. 'A Matter of Survival: Co-production as a Means of Competing Internationally'-an interview with Anders Kjærhauge, Julia Hammett-Jamart -- 20. 'European Television Co-productions'-an interview with Klaus Zimmermann, Benjamin Harris -- 21. 'Co-production Case Study: Ida by Pawel Pawlikowski'- an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric -- 22. 'Unofficially European: Case Study of BAFTA-Winning I am not a Witch'-an interview with Juliette Grandmont, Katell Leon. 330 $aThis volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions-Eurimages, the European Audiovisual Observatory and the European Commission-and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals. 410 0$aPalgrave European Film and Media Studies,$x2634-6168 606 $aMotion picture plays, European 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aCultural policy 606 $aCommunication 606 $aCulture$xStudy and teaching 606 $aEuropean Film and TV 606 $aFilm and Television Industry 606 $aCultural Policy and Politics 606 $aMedia and Communication 606 $aCultural Studies 615 0$aMotion picture plays, European. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 0$aCultural policy. 615 0$aCommunication. 615 0$aCulture$xStudy and teaching. 615 14$aEuropean Film and TV. 615 24$aFilm and Television Industry. 615 24$aCultural Policy and Politics. 615 24$aMedia and Communication. 615 24$aCultural Studies. 676 $a791.430232 702 $aHammett-Jamart$b Julia$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMitric$b Petar$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aNovrup Redvall$b Eva$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910309855103321 996 $aEuropean Film and Television Co-production$92260892 997 $aUNINA