LEADER 04119nam 22006855 450 001 9910255291503321 005 20200630021414.0 010 $a3-319-52304-X 024 7 $a10.1007/978-3-319-52304-0 035 $a(CKB)3710000001151976 035 $a(DE-He213)978-3-319-52304-0 035 $a(MiAaPQ)EBC4838265 035 $a(PPN)259473537 035 $a(EXLCZ)993710000001151976 100 $a20170407d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Philosophy and Politics of Aesthetic Experience $eGerman Romanticism and Critical Theory /$fby Nathan Ross 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XV, 253 p.) 225 1 $aPolitical Philosophy and Public Purpose,$x2524-714X 311 $a3-319-52303-1 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1. Introduction -- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller?s Aesthetic Education -- 3. Aesthetic Experience at the Limits of Thought in Hölderlin?s New Letters on Aesthetic Education -- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel?s Political and Aesthetic Thought -- 5. Walter Benjamin?s Philosophy of Critical Experience?From the Romantic Artwork to the Disillusioning of Mimesis -- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno?s Aesthetic Theory -- 7. Conclusion: The Benjamin?Adorno Debate on the Nature of Aesthetic Experience. 330 $aThis book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to art?it is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons. 410 0$aPolitical Philosophy and Public Purpose,$x2524-714X 606 $aPolitical theory 606 $aPolitical communication 606 $aAesthetics 606 $aFine arts 606 $aCritical theory 606 $aIdealism, German 606 $aPolitical Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/911010 606 $aPolitical Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/911030 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aFine Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/416010 606 $aCritical Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/E44010 606 $aGerman Idealism$3https://scigraph.springernature.com/ontologies/product-market-codes/E44040 615 0$aPolitical theory. 615 0$aPolitical communication. 615 0$aAesthetics. 615 0$aFine arts. 615 0$aCritical theory. 615 0$aIdealism, German. 615 14$aPolitical Theory. 615 24$aPolitical Communication. 615 24$aAesthetics. 615 24$aFine Arts. 615 24$aCritical Theory. 615 24$aGerman Idealism. 676 $a320.01 700 $aRoss$b Nathan$4aut$4http://id.loc.gov/vocabulary/relators/aut$0943464 906 $aBOOK 912 $a9910255291503321 996 $aThe Philosophy and Politics of Aesthetic Experience$92129357 997 $aUNINA