LEADER 04446nam 22005535 450 001 9910255270303321 005 20200701115750.0 010 $a981-10-6508-X 024 7 $a10.1007/978-981-10-6508-8 035 $a(CKB)4100000000882837 035 $a(DE-He213)978-981-10-6508-8 035 $a(MiAaPQ)EBC5104268 035 $a(PPN)222232641 035 $a(EXLCZ)994100000000882837 100 $a20171014d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCopyright and Fan Productivity in China$b[electronic resource] $eA Cross-jurisdictional Perspective /$fby Tianxiang He 205 $a1st ed. 2017. 210 1$aSingapore :$cSpringer Singapore :$cImprint: Springer,$d2017. 215 $a1 online resource (XII, 265 p. 5 illus., 4 illus. in color.) 311 $a981-10-6507-1 320 $aIncludes bibliographical references. 327 $aIntroduction -- Fight with the dragon -- The rise of fan activities -- A comparative examination of fan activities under current legal frameworks of the United States, China, and Japan -- Conclusions and recommendations. 330 $aThis book takes a unique approach to mitigate the problem of massive online copyright infringement and justify fan activities. It argues for a cooperative approach that encourages copyright owners to exert a degree of control over their fan creators. In contrast to the current approach, which treats fan utilizations as theft, this book suggests that the copyright owners and the lawmakers should instead distinguish between fan creators and commercial pirates, allowing them unleash their potential. This book offers a clear and comprehensive account of the fascinating aspects of legal problems created by fan activities in China, Japan and the United States, offering a valuable guide for students, practitioners, academics and entrepreneurs whose work involves or who are interested in cutting-edge legal issues in the creative industry. "Tianxiang He introduces us to the world of fandom inhabited by ?fan-subbers?, fan-dubbers?, ?mash-uppers?, and ?fan-fictionists? against the backdrop of copyright law and policy in China. His work is engaging in that it not merely describes the law, but also the political dimension where copyright and state media control converge into a reality where being an artist or a fan is not that straightforward." -- Prof. Anselm Kamperman Sanders, Institute for Globalization and International Regulation (IGIR), Faculty of Law, Maastricht University "The tension between copyright holders and fan communities has been increasingly salient yet underexplored. This timely, insightful and deeply engaging book not only fills a niche, but also covers a country that has been rarely examined in this context. The book advances a promising model for the two groups to cooperate. It also explores complex issues concerning political culture, media regulation and civic engagement in China. A must read for anybody interested in copyright law, cultural production, digital technology or Chinese information policy." -- Prof. Peter K. Yu, Professor of Law and Director, Center for Law and Intellectual Property, Texas A&M University School of Law. 606 $aPrivate international law 606 $aConflict of laws 606 $aMass media 606 $aLaw 606 $aPrivate International Law, International & Foreign Law, Comparative Law $3https://scigraph.springernature.com/ontologies/product-market-codes/R14002 606 $aIT Law, Media Law, Intellectual Property$3https://scigraph.springernature.com/ontologies/product-market-codes/R15009 606 $aIT Law, Media Law, Intellectual Property$3https://scigraph.springernature.com/ontologies/product-market-codes/R15009 615 0$aPrivate international law. 615 0$aConflict of laws. 615 0$aMass media. 615 0$aLaw. 615 14$aPrivate International Law, International & Foreign Law, Comparative Law . 615 24$aIT Law, Media Law, Intellectual Property. 615 24$aIT Law, Media Law, Intellectual Property. 676 $a340.9 676 $a340.2 700 $aHe$b Tianxiang$4aut$4http://id.loc.gov/vocabulary/relators/aut$0878562 906 $aBOOK 912 $a9910255270303321 996 $aCopyright and Fan Productivity in China$91961530 997 $aUNINA