LEADER 04186nam  22006255  450 
001 9910255255903321
005 20200703225924.0
010   $a1-137-50000-X
024 7 $a10.1057/978-1-137-50000-7
035   $a(CKB)3710000000749492
035   $a(DE-He213)978-1-137-50000-7
035   $a(MiAaPQ)EBC4720007
035   $a(EXLCZ)993710000000749492
100   $a20160616d2016      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aDigital Participatory Culture and the TV Audience $eEveryone?s a Critic /$fby Sandra M. Falero
205   $a1st ed. 2016.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016.
215   $a1 online resource (XXIV, 191 p. 4 illus., 3 illus. in color.)
311   $a1-137-49999-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Democratizing Criticism -- 1.?The Meet Market?: The Attraction of a Place Without Pity -- 2.?The Industry?: A Brief History of Audiences In and Out of Control -- 3.?Give Pete a Line?: Participatory Television and the TWoP Community -- 4.?Sorkin Situations?: The Television Auteur Meets the Digital Age -- 5.?Shows You Hate (But Watch Anyway)?: The Dark Side of Online Criticism -- 6.?Network Interference?: Policing Conversation And Political Discourse -- 7.?Permanent Hiatus?: The Death of Television Without Pity -- Conclusion: Learning from Television Without Pity .
330   $aIn this study, Falero explores how online communities of participatory audiences have helped to re-define authorship and audience in the digital age. Using over a decade of ethnographic research, Digital Participatory Culture and the TV Audience explores the rise and fall of a site that some heralded as ground zero for the democratization of television criticism. Television Without Pity was a web community devoted to criticizing television programs. Their mission was to hold television networks and writers accountable by critiquing their work and ?not just passively sitting around watching.? When executive producer Aaron Sorkin entered Television Without Pity?s message boards on The West Wing< in late 2001, he was surprised to find the discussion populated by critics rather than fans. His anger over the criticism he found there wound up becoming a storyline in a subsequent episode of The West Wing wherein web critics were described as ?obese shut-ins who lounge around in muumuus and chain-smoke Parliaments.? This book examines the culture at Television Without Pity and will appeal to students and researchers interested in audiences, digital culture and television studies.
606   $aSocial media
606   $aMotion pictures and television
606   $aUnited States?Study and teaching
606   $aHumanities?Digital libraries
606   $aEthnography
606   $aSocial Media$3https://scigraph.springernature.com/ontologies/product-market-codes/412020
606   $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000
606   $aAmerican Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411010
606   $aDigital Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/836000
606   $aEthnography$3https://scigraph.springernature.com/ontologies/product-market-codes/X12060
607   $aUnited States$2fast
607   $aUSA$2gnd
615  0$aSocial media.
615  0$aMotion pictures and television.
615  0$aUnited States?Study and teaching.
615  0$aHumanities?Digital libraries.
615  0$aEthnography.
615 14$aSocial Media.
615 24$aScreen Studies.
615 24$aAmerican Culture.
615 24$aDigital Humanities.
615 24$aEthnography.
676   $a302.30285
700   $aFalero$b Sandra M$4aut$4http://id.loc.gov/vocabulary/relators/aut$01058278
906   $aBOOK
912   $a9910255255903321
996   $aDigital Participatory Culture and the TV Audience$92498483
997   $aUNINA