LEADER 03869nam 22005775 450 001 9910255254803321 005 20240502104840.0 010 $a1-137-60186-8 024 7 $a10.1057/978-1-137-60186-5 035 $a(DE-He213)978-1-137-60186-5 035 $a(MiAaPQ)EBC4720353 035 $a(CKB)3710000000861580 035 $a(EXLCZ)993710000000861580 100 $a20160918d2016 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEmbodied Philosophy in Dance $eGaga and Ohad Naharin's Movement Research /$fby Einav Katan 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XVIII, 228 p. 10 illus. in color.) 225 1 $aPerformance Philosophy 311 $a1-137-60185-X 320 $aIncludes bibliographical references and index. 327 $aPart I. Embodied Philosophy in Dance -- Chapter 1. Dance and Philosophy -- Chapter 2. Dance as Embodied Philosophy -- Chapter 3. Habitus, Embodied Knowledge and Physical Intelligence -- Chapter 4. Embodied Reflections -- Part II. The Sensual Emphasis of Gaga -- Chapter 5. ?Float!? -- Chapter 6. Enacting Perception -- Chapter 7. Extending Perception -- Chapter 8. Dancing Metaphors -- Chapter 9. The Phenomenological Method of Gaga -- Part III. The Mental Emphasis of Gaga -- Chapter 10. ?Connect Effort into Pleasure!? -- Chapter 11. The Challenge of a Perceptual Gap Between Body and Mind -- Chapter 12. The Involvement of Psychology and Physicality -- Chapter 13. Comprehending Emotions -- Chapter 14. Intentionality and the Aesthetic Will -- Part VI. Gaga -- Chapter 15. Multitasking Inquiries -- Chapter 16. Decision Making -- Chapter 17. The Intelligible Form -- Chapter 18. Rhythm -- Chapter 19. The Physical Practice of Intelligence -- Part V. The Moving Forms of Dancing Gaga -- Chapter 20. Bellus -- Chapter 21. The Dancing Body as Means of Expression -- Chapter 22. Understanding Expressions -- Chapter 23. Moving Forms of Dance. 330 $aRepresenting the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book following the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, Embodied Philosophy in Dance deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence. 410 0$aPerformance Philosophy 606 $aDance 606 $aPerforming arts 606 $aPhilosophy of mind 606 $aAesthetics 606 $aDance$3https://scigraph.springernature.com/ontologies/product-market-codes/415020 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aPhilosophy of Mind$3https://scigraph.springernature.com/ontologies/product-market-codes/E31000 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 615 0$aDance. 615 0$aPerforming arts. 615 0$aPhilosophy of mind. 615 0$aAesthetics. 615 14$aDance. 615 24$aPerforming Arts. 615 24$aPhilosophy of Mind. 615 24$aAesthetics. 676 $a792.8 700 $aKatan$b Einav$4aut$4http://id.loc.gov/vocabulary/relators/aut$01743401 906 $aBOOK 912 $a9910255254803321 996 $aEmbodied Philosophy in Dance$94170830 997 $aUNINA