LEADER 03809nam 22007095 450 001 9910255253503321 005 20200705170600.0 010 $a1-137-53206-8 024 7 $a10.1057/9781137532060 035 $a(CKB)3710000000607570 035 $a(DE-He213)978-1-137-53206-0 035 $a(MiAaPQ)EBC4720648 035 $a(EXLCZ)993710000000607570 100 $a20160319d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAlien Audiences$b[electronic resource] $eRemembering and Evaluating a Classic Movie /$fby M. Barker, K. Egan, S. Ralph, T. Phillips 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Pivot,$d2016. 215 $a1 online resource (X, 139 p.) 225 1 $aPalgrave Pivot 311 $a1-349-70910-7 311 $a1-137-53205-X 320 $aIncludes bibliographical references and index. 330 $aRidley Scott's 1979 Alien has attained classic status and is one of the most analysed films by scholars. But until now, there have been no published studies of its audiences. This book presents the findings of a major project exploring how different kinds of viewers engage with the film. Based on over 1,000 responses, the authors uncover some surprising patterns and tendencies. These disclose, among other things, the remarkable role played by parents and other relatives in 'gifting' the film to their children, raising important questions about the idea of 'age-inappropriate' viewing, a fascinating ambiguity over the role of 'acting' in the notorious 'chestburster scene' and an important shift in the way audiences see Alien as 'more than just a film' once imitations and parodies become prevalent. Some particularly long and rich responses reveal how this film can go on arousing strong visceral responses, even after repeated viewings. Richly illustrated with quotations, this book will shift current understandings of horror film audiences. 410 0$aPalgrave pivot. 606 $aMotion pictures?Production and direction 606 $aMotion pictures?United States 606 $aMotion pictures?History 606 $aArts 606 $aAmerica?Literatures 606 $aFiction 606 $aDirecting$3https://scigraph.springernature.com/ontologies/product-market-codes/413080 606 $aAmerican Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413010 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 606 $aNorth American Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/834000 606 $aFiction$3https://scigraph.springernature.com/ontologies/product-market-codes/825000 615 0$aMotion pictures?Production and direction. 615 0$aMotion pictures?United States. 615 0$aMotion pictures?History. 615 0$aArts. 615 0$aAmerica?Literatures. 615 0$aFiction. 615 14$aDirecting. 615 24$aAmerican Cinema and TV. 615 24$aFilm History. 615 24$aArts. 615 24$aNorth American Literature. 615 24$aFiction. 676 $a791.43 700 $aBarker$b M$4aut$4http://id.loc.gov/vocabulary/relators/aut$0679336 702 $aEgan$b K$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aRalph$b S$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aPhillips$b T$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910255253503321 996 $aAlien Audiences$92498749 997 $aUNINA