LEADER 03685nam 22007215 450 001 9910255253403321 005 20200703180241.0 010 $a1-137-55163-1 024 7 $a10.1057/9781137551634 035 $a(CKB)3710000000607572 035 $a(DE-He213)978-1-137-55163-4 035 $a(MiAaPQ)EBC4720181 035 $a(EXLCZ)993710000000607572 100 $a20160309d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHand-Made Television $eStop-Frame Animation for Children in Britain, 1961-1974 /$fby R. Moseley 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Pivot,$d2016. 215 $a1 online resource (X, 132 p.) 225 1 $aPalgrave Pivot 311 $a1-349-71589-1 311 $a1-137-55162-3 320 $aIncludes bibliographical references, filmography and index. 330 $aHand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children's programmes. 410 0$aPalgrave pivot. 606 $aMotion pictures?History 606 $aMotion pictures and television 606 $aGreat Britain?History 606 $aBritish literature 606 $aArts 606 $aFine arts 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000 606 $aHistory of Britain and Ireland$3https://scigraph.springernature.com/ontologies/product-market-codes/717020 606 $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 606 $aFine Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/416010 607 $aGreat Britain$2fast 608 $aStop-motion animation films$2fast 608 $aCriticism, interpretation, etc.$2fast 608 $aStop-motion animation films.$2lcgft 615 0$aMotion pictures?History. 615 0$aMotion pictures and television. 615 0$aGreat Britain?History. 615 0$aBritish literature. 615 0$aArts. 615 0$aFine arts. 615 14$aFilm History. 615 24$aScreen Studies. 615 24$aHistory of Britain and Ireland. 615 24$aBritish and Irish Literature. 615 24$aArts. 615 24$aFine Arts. 676 $a791.4309 700 $aMoseley$b R$4aut$4http://id.loc.gov/vocabulary/relators/aut$01063079 906 $aBOOK 912 $a9910255253403321 996 $aHand-Made Television$92530006 997 $aUNINA