LEADER 03436nam 22006495 450 001 9910255247603321 005 20200703061427.0 010 $a1-137-59999-5 024 7 $a10.1057/978-1-137-59999-5 035 $a(CKB)3860000000009969 035 $a(DE-He213)978-1-137-59999-5 035 $a(MiAaPQ)EBC4719842 035 $a(EXLCZ)993860000000009969 100 $a20160430d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJack the Ripper in Film and Culture$b[electronic resource] $eTop Hat, Gladstone Bag and Fog /$fby Clare Smith 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (X, 211 p.) 225 1 $aCrime Files 311 $a1-137-59998-7 320 $aIncludes bibliographical references, filmographies and index. 327 $aIntroduction -- Chapter 1. Historical and Cultural Context -- Chapter 2. Psychoanalytical Approach -- Chapter 3. Feminist Film Theory -- Chapter 4 Jack the Ripper -- Chapter 5. The Detective -- Chapter 6. The Victims -- Chapter 7. Whitechapel -- Conclusion -- Bibliography -- Filmography. 330 $aIn 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders ?Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen. . 410 0$aCrime Files 606 $aComparative literature 606 $aLiterature?History and criticism 606 $aTechnology in literature 606 $aMotion pictures?History 606 $aCivilization?History 606 $aComparative Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/811000 606 $aLiterary History$3https://scigraph.springernature.com/ontologies/product-market-codes/813000 606 $aLiterature and Technology/Media$3https://scigraph.springernature.com/ontologies/product-market-codes/827000 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aCultural History$3https://scigraph.springernature.com/ontologies/product-market-codes/723000 607 $aWhitechapel (London, England)$xIn motion pictures 607 $aEngland$zLondon$zWhitechapel$2fast 615 0$aComparative literature. 615 0$aLiterature?History and criticism. 615 0$aTechnology in literature. 615 0$aMotion pictures?History. 615 0$aCivilization?History. 615 14$aComparative Literature. 615 24$aLiterary History. 615 24$aLiterature and Technology/Media. 615 24$aFilm History. 615 24$aCultural History. 676 $a809 700 $aSmith$b Clare$4aut$4http://id.loc.gov/vocabulary/relators/aut$0793426 906 $aBOOK 912 $a9910255247603321 996 $aJack the Ripper in Film and Culture$92533322 997 $aUNINA