LEADER 04370nam 22005775 450 001 9910255242903321 005 20251030103459.0 010 $a9781137522801 010 $a1137522801 024 7 $a10.1057/978-1-137-52280-1 035 $a(CKB)3710000000842385 035 $a(DE-He213)978-1-137-52280-1 035 $a(MiAaPQ)EBC4720315 035 $a(Perlego)3489809 035 $a(EXLCZ)993710000000842385 100 $a20160901d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aScreening European Heritage $eCreating and Consuming History on Film /$fedited by Paul Cooke, Rob Stone 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XXXIV, 290 p. 29 illus.) 225 1 $aPalgrave European Film and Media Studies,$x2634-6168 311 08$a9781137522795 311 08$a1137522798 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aContents -- List of illustrations -- Introduction: Screening European Heritage by Axel Bangert, Paul Cooke & Rob Stone -- Section One: Contexts of Production -- 1.The Politics and Sociology of Screening the Past: A National and Transnational Perspective ? Ib Bondebjerg -- 2.British Flanders: Co-Produced Television Drama and the Limits of a European Heritage ? Jaap Verheul -- 3. Towards World Heritage Cinema (Starting from the Negative) ? Alan O?Leary -- Section Two: Limits of Representation -- 4. Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage ? Daniela Bergahn -- 5. Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-language Film ? Axel Bangert -- 6. Spectral Spanish Heritage: The Hauntology of La noche de los girasoles ? Paul Mitchell -- 7. Adapting Balzac in Jacques Rivette?s Ne Touchez pas la hache (Don?t Touch the Axe, 2007): Violence and the Post-Heritage Aesthetic ? Andrew Watts -- 8. The Ironic Gaze: Roots Tourism and Irish Heritage Cinema ? Ruth Barton -- 9. Whose Heritage?: Noi credevamo and the National, Regional and Transnational Dynamics of the Risorgimento Film ? Alex Marlow-Mann -- Section Three: Modes of Consumption -- 10. Historical Films in Europe: The Transnational Production, Circulation and Reception of ?National? Heritage Drama ? Andrew Higson -- 11. From ?English? Heritage to Transnational Audiences: Fan Perspectives and Practices and Why They Matter ? Claire Monk -- 12. From ?Auschwitz-land? to Banglatown: Heritage Conflicts, Film and the Politics of Place ? Paul Cooke -- 13. Cinematic Pilgrimages: Postmodern Heritage Cinema ? Rob Stone -- Index. 330 $aThis book provides a unique examination of the way Europe?s past is represented on contemporary screens and what this says about contemporary cultural attitudes to history. How do historical dramas come to TV and cinema screens across Europe? How is this shaped by the policies and practices of cultural institutions, from media funding boards to tourist agencies and heritage sites? Who watches these productions and how are they consumed in cinemas, on TV and online?, are just some of the questions this volume seeks to answer. From The Lives of Others to Game of Thrones, historical dramas are a particularly visible part of mainstream European film production, often generating major national debates on the role of the past in contemporary national identity construction. 410 0$aPalgrave European Film and Media Studies,$x2634-6168 606 $aCommunication 606 $aHistory 606 $aMotion picture plays, European 606 $aMedia and Communication 606 $aHistory 606 $aEuropean Film and TV 615 0$aCommunication. 615 0$aHistory. 615 0$aMotion picture plays, European. 615 14$aMedia and Communication. 615 24$aHistory. 615 24$aEuropean Film and TV. 676 $a302.23 702 $aCooke$b Paul$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aStone$b Rob$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910255242903321 996 $aScreening European Heritage$92525062 997 $aUNINA