LEADER 01510nam 2200397Ia 450 001 996383914403316 005 20221108041606.0 035 $a(CKB)1000000000596836 035 $a(EEBO)2240960732 035 $a(OCoLC)ocm12181764e 035 $a(OCoLC)12181764 035 $a(EXLCZ)991000000000596836 100 $a19850620d1699 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe design of Christianity, or, A plain demonstration and improvement of this proposition$b[electronic resource] $eviz. that the enduing men with inward real righteousness or true holiness, was the ultimate end of Our Saviour's coming into the world, and is the great intendment of His blessed Gospel /$fby Edward Fowler .. 205 $aThe third edition revised and corrected /$bby the author. 210 $aLondon $cPrinted for J.H. for Luke Meredith ...$d1699 215 $a[25], 216 p 300 $aReproduction of original in Cambridge University Library. 300 $aTable of contents: p. [14]-[19] 300 $aErrata: p. [24] 330 $aeebo-0021 606 $aSalvation 606 $aChristianity$vEarly works to 1800 615 0$aSalvation. 615 0$aChristianity 700 $aFowler$b Edward$f1632-1714.$0795884 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996383914403316 996 $aThe design of Christianity, or, A plain demonstration and improvement of this proposition$92303328 997 $aUNISA LEADER 03169nam 22005415 450 001 9910255227203321 005 20240724124340.0 010 $a9783319326610 010 $a3319326619 024 7 $a10.1007/978-3-319-32661-0 035 $a(CKB)3710000000866320 035 $a(MiAaPQ)EBC4663219 035 $a(DE-He213)978-3-319-32661-0 035 $a(Perlego)3491859 035 $a(EXLCZ)993710000000866320 100 $a20160711d2016 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aHaunting Modernity and the Gothic Presence in British Modernist Literature /$fby Daniel Darvay 205 $a1st ed. 2016. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (227 pages) 311 08$a9783319326603 311 08$a3319326600 320 $aIncludes bibliographical references and index. 327 $aPreface -- Introduction: Catholicism, Sacrilege and the Modern Gothic -- Labyrinths of Reason from Augustine to Wilde -- Specters of Conrad: Espionage and the Modern West -- The Haunted Museum: E. M. Forster, Italy, and the Grand Tour -- Detectives of the Mind: Virginia Woolf and the Gothic Sublime -- Dark Vibes: D. H. Lawrence and Occult Electricity -- Conclusion -- Notes -- Bibliography. 330 $aThis book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement. 606 $aEuropean literature 606 $aLiterature, Modern$y20th century 606 $aLiterature$xHistory and criticism 606 $aEuropean Literature 606 $aTwentieth-Century Literature 606 $aLiterary History 615 0$aEuropean literature. 615 0$aLiterature, Modern 615 0$aLiterature$xHistory and criticism. 615 14$aEuropean Literature. 615 24$aTwentieth-Century Literature. 615 24$aLiterary History. 676 $a823.03 700 $aDarvay$b Daniel$4aut$4http://id.loc.gov/vocabulary/relators/aut$01062497 906 $aBOOK 912 $a9910255227203321 996 $aHaunting Modernity and the Gothic Presence in British Modernist Literature$92526110 997 $aUNINA