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200 10$aMusical Modernism and German Cinema from 1913 to 1933 /$fby Francesco Finocchiaro
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XIX, 259 p. 7 illus.) 
311 08$a9783319582610 
311 08$a3319582615 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction: The cinematic paradigm -- 2. Prologue. Cinema and the arts -- 3. Cinema and expressionist drama -- 4. Paul Hindemtih and the cinematic universe --  5. Edmund Meisel: the cinematic composer.- 6. Der Rosenkavalier: a problematic remediation --  7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace.- 8. Alban Berg, Lulu and cinema as artifice.-  9. New Objectivity and abstract cinema.- 10. Between film music and chamber music -- 11. Epilogue. The dawn of sound cinema. .
330   $aThis book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers' exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of  the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process - of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition - which realized the "dream of Otherness" of the Modernist generation.
606   $aMotion pictures
606   $aTelevision broadcasting
606   $aMusic
606   $aEthnology$zEurope
606   $aCulture
606   $aCivilization$xHistory
606   $aFilm and Television Studies
606   $aMusic
606   $aEuropean Culture
606   $aCultural History
615  0$aMotion pictures.
615  0$aTelevision broadcasting.
615  0$aMusic.
615  0$aEthnology
615  0$aCulture.
615  0$aCivilization$xHistory.
615 14$aFilm and Television Studies.
615 24$aMusic.
615 24$aEuropean Culture.
615 24$aCultural History.
676   $a791.4
700   $aFinocchiaro$b Francesco$4aut$4http://id.loc.gov/vocabulary/relators/aut$0211115
906   $aBOOK
912   $a9910255086903321
996   $aMusical Modernism and German Cinema from 1913 to 1933$92533308
997   $aUNINA