LEADER 03423nam 22005295 450 001 9910255086803321 005 20200629161555.0 010 $a3-319-57006-4 024 7 $a10.1007/978-3-319-57006-8 035 $a(CKB)4100000001382210 035 $a(DE-He213)978-3-319-57006-8 035 $a(MiAaPQ)EBC5199846 035 $a(EXLCZ)994100000001382210 100 $a20171216d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aViolent Women in Contemporary Theatres $eStaging Resistance /$fby Nancy Taylor Porter 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (X, 410 p. 11 illus.) 311 $a3-319-57005-6 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aAcknowledgments.- Figures.- 1. Violent Women in Contemporary and Artistic Theatres -- 2. The Sex and Gender of Violence.- 3. From Alpha to Omega Women: Ancient Greek Origins and Contemporary Re-visions.- 4. From Monstrous to Miraculous: Violent Mothers and Daughters at Home on Stage -- 5. What Happened to the Angel in the House?: The Violent Female Lover.- 6. All the World's a Stage: The Street Fighter and the Boxer -- 7. From State-Sanctioned Power to Sexual Power: The Soldier and the Dominatrix -- 8. Babes With Blades: "Theatre That Leaves a Mark" -- 9. Epilogue.-. 330 $aThis book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence ? not how it's been sensationalized or demonized or sexualized, but how it is ? and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre. 606 $aTheater 606 $aWomen 606 $aCulture 606 $aGender 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aWomen's Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X35040 606 $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210 615 0$aTheater. 615 0$aWomen. 615 0$aCulture. 615 0$aGender. 615 14$aContemporary Theatre. 615 24$aWomen's Studies. 615 24$aCulture and Gender. 676 $a792.082 700 $aTaylor Porter$b Nancy$4aut$4http://id.loc.gov/vocabulary/relators/aut$0975291 906 $aBOOK 912 $a9910255086803321 996 $aViolent Women in Contemporary Theatres$92220948 997 $aUNINA