LEADER 04142nam 22005175 450 001 9910255086703321 005 20200930200558.0 010 $a3-319-58580-0 024 7 $a10.1007/978-3-319-58580-2 035 $a(CKB)4100000001382212 035 $a(DE-He213)978-3-319-58580-2 035 $a(MiAaPQ)EBC5183818 035 $a(EXLCZ)994100000001382212 100 $a20171206d2017 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdaptation in Visual Culture $eImages, Texts, and Their Multiple Worlds /$fedited by Julie Grossman, R. Barton Palmer 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XVI, 285 p. 17 illus. in color.) 225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X 311 $a3-319-58579-7 320 $aIncludes bibliographical references and index. 327 $a1. Constantine Verevis, ?Film Novelization? -- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?" -- 3. Glenn Jellenik, ?The Task of the Adaptation Critic? -- 4. Thomas Leitch, ?Mind the Gaps? -- 5. R. Barton Palmer, ?Continuation, Adaptation Studies, and the Never-Finished Text? -- 6. Kamilla Elliott ?Unfilmable Books.? -- 7. Sarah Cardwell, ?A Dickensian Feast: Visual Culture and Television Aesthetics? -- 8. Deborah Cartmell, ?Star Adaptations: Queen Biopics of the 1930s? -- 9. Jack Boozer, ?Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps? -- 10. Christine Geraghty, ?Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)? -- 11. Julie Grossman, ?Fargos? -- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" -- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')" -- 14. Nancy West, ?The Worlds of Downton Abbey?. 330 $aThis book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essential reading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century. 410 0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-629X 606 $aMotion pictures 606 $aFine arts 606 $aAdaptation Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413180 606 $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090 606 $aFine Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/416010 615 0$aMotion pictures. 615 0$aFine arts. 615 14$aAdaptation Studies. 615 24$aFilm Theory. 615 24$aFine Arts. 676 $a791.436 702 $aGrossman$b Julie$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPalmer$b R. Barton$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910255086703321 996 $aAdaptation in Visual Culture$92220947 997 $aUNINA