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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aTheatre Aurality /$fby Lynne Kendrick
205   $a1st ed. 2017.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XXVIII, 164 p. 6 illus.) 
311   $a1-137-45232-3 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $aIntroduction -- 1. Aurality -- 2. Theatre aurality: beginnings -- 3. Listening: headphone theatre and auditory performance -- 4. Voice: a performance of sound -- 5. Noise: a politics of sound -- 6. Listening: sonority and subjectivity.- Conclusion ? and sound.- References -- Index.-.
330   $aThis book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.
606   $aTheater
606   $aTheatre and Performance Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/415000
615  0$aTheater.
615 14$aTheatre and Performance Studies.
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906   $aBOOK
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996   $aTheatre Aurality$92542855
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