LEADER 01184nam a22003011i 4500 001 991004229329707536 005 20031011110307.0 008 031111s1997 it |||||||||||||||||ita 020 $a8845913449 035 $ab12556774-39ule_inst 035 $aARCHE-059004$9ExL 040 $aDip.to Lingue$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a891.8635 100 1 $aKundera, Milan$0328616 245 12$aL'identità /$cMilan Kundera ; traduzione di Ena Marchi 260 $aMilano :$bAdelphi,$c1997 300 $a176 p. ;$c22 cm 440 0$aFabula ;$v105 700 1 $aMarchi, Ena 765 1 $aL'$tidentité 907 $a.b12556774$b02-04-14$c13-11-03 912 $a991004229329707536 945 $aLE008 TS M I 320$g1$i2008000451172$lle008$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i14863108$z23-10-08 945 $aLE012 891.865 KUN 5$g1$i2012000189591$lle012$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i13008870$z13-11-03 945 $aLE012 891.865 KUN 5/A$g2$i2012000189584$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13008882$z13-11-03 996 $aIdentità$9174688 997 $aUNISALENTO 998 $ale008$a(2)le012$b13-11-03$cm$da $e-$fita$git $h2$i3 LEADER 03818nam 22007095 450 001 9910255079303321 005 20251030103501.0 010 $a9781137444530 010 $a1137444533 024 7 $a10.1057/978-1-137-44453-0 035 $a(CKB)4100000000882591 035 $a(DE-He213)978-1-137-44453-0 035 $a(MiAaPQ)EBC5106055 035 $a(Perlego)3505777 035 $a(EXLCZ)994100000000882591 100 $a20171014d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aElizabethan and Jacobean Reappropriation in Contemporary British Drama $e'Upstart Crows' /$fby Graham Saunders 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XI, 194 p.) 225 1 $aAdaptation in Theatre and Performance,$x2947-4051 311 08$a9781137444523 311 08$a1137444525 320 $aIncludes bibliographical references and index. 327 $aContents -- Acknowledgements -- 1. Introduction: Appropriating the Past -- 2. Why Rewrite Shakespeare & his Contemporaries? -- 3. A Host of Lears: Howard Barker's Seven Lears, Elaine Feinstein's Lear's Daughters and Sarah Kane?s Blasted -- 4. ?Love in the Museum?: Howard Barker, the Erotic and the Classical Text -- 5. ?If Power Change Purpose?: Appropriation and the Shakespearian Despot -- 6. Anyone for Venice? Wesker. Marowitz & Pascal Appropriate The Merchant of Venice -- 7. Festive Tragedy: Jez Butterworth?s Jerusalem -- Bibliography -- Index. 330 $aThis book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane?s Blasted and Jez Butterworth?s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare?s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women?s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker. 410 0$aAdaptation in Theatre and Performance,$x2947-4051 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aEthnology$zGreat Britain 606 $aCulture 606 $aLiterature$xHistory and criticism 606 $aTheatre History 606 $aTheatre and Performance Arts 606 $aEarly Modern and Renaissance Literature 606 $aBritish Culture 606 $aLiterary History 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aEuropean literature 615 0$aEthnology 615 0$aCulture. 615 0$aLiterature$xHistory and criticism. 615 14$aTheatre History. 615 24$aTheatre and Performance Arts. 615 24$aEarly Modern and Renaissance Literature. 615 24$aBritish Culture. 615 24$aLiterary History. 676 $a792.09 700 $aSaunders$b Graham$4aut$4http://id.loc.gov/vocabulary/relators/aut$0898124 906 $aBOOK 912 $a9910255079303321 996 $aElizabethan and Jacobean Reappropriation in Contemporary British Drama$92112810 997 $aUNINA