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035   $a(DE-He213)978-3-319-63300-8
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101 0 $aeng
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181   $ctxt$2rdacontent
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200 10$aShakespeare / Not Shakespeare /$fedited by Christy Desmet, Natalie Loper, Jim Casey
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XXI, 312 p. 10 illus.) 
225 1 $aReproducing Shakespeare,$x2730-9312
311   $a3-319-63299-X 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1 Introduction -- 2?This is not Shakespeare!" -- 3 Chasing Shakespeare: The Impurity of the ?Not Quite? in Norry Niven?s From Above and Abbas Kiarostami?s Where Is My Romeo -- 4 HypeRomeo & Juliet: Postmodern Adaptation and Shakespeare -- 5 ?I?ll always consider myself Mechanical?: Cyborg Juliette and the Shakespeare Apocalypse in Hugh Howey?s Silo Saga -- 6 Guest Starring Hamlet: The Proliferation of the Shakespeare Meme on American Television -- 7 Romeo Unbound -- 8  Chaste Thinking, Cultural Reiterations: Lucrece and the Violence of The Letter.-9 Paratextual Shakespearings: Comics? Shakespearean Frame -- 10 ?Thou hast it now?: One-on-Ones and the Online Community of Punchdrunk?s Sleep No More -- 11 Dirty Rats, Dead for a Ducat: Shakespearean Echoes (and an Accident) in Some Films of James Cagney -- 12 YouShakespeare: Shakespearean Celebrity 2.0 -- 13 Finding Shakespeare in Baz Luhrmann?s e great gatsby -- 14 surfing with juliet: the dialectics of disney?s Teen Beach Movie -- 15 ?Accidental? Erasure: Relocating Shakespeare?s Royal Women in Philippa Gregory?s The Cousins? War Series -- 16 Scenes of Recognition: Pan?s Labyrinth and Warm Bodies as Accidental Shakespeare.                    .
330   $aThis essay collection addresses the paradox that something may at once ?be? and ?not be? Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier?s ?Shakespearean rhizome,? which co-opts Deleuze and Guattari?s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between ?Shakespeare? and ?not Shakespeare? through a number of critical lenses?networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts?and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films. .
410  0$aReproducing Shakespeare,$x2730-9312
606   $aEuropean literature$xRenaissance, 1450-1600
606   $aEuropean literature
606   $aLiterature and technology
606   $aMass media and literature
606   $aMotion pictures
606   $aTelevision broadcasting
606   $aEarly Modern and Renaissance Literature
606   $aEuropean Literature
606   $aLiterature and Technology
606   $aFilm and Television Studies
615  0$aEuropean literature$xRenaissance, 1450-1600.
615  0$aEuropean literature.
615  0$aLiterature and technology.
615  0$aMass media and literature.
615  0$aMotion pictures.
615  0$aTelevision broadcasting.
615 14$aEarly Modern and Renaissance Literature.
615 24$aEuropean Literature.
615 24$aLiterature and Technology.
615 24$aFilm and Television Studies.
676   $a809
702   $aDesmet$b Christy$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aLoper$b Natalie$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aCasey$b Jim$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a9910255078003321
996   $aShakespeare$9139649
997   $aUNINA