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100   $a20171004d2017      u|             0
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200 10$aMedia, Performative Identity, and the New American Freak Show$b[electronic resource] /$fby Jessica L. Williams
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XII, 188 p. 20 illus., 16 illus. in color.) 
311   $a3-319-66461-1 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction -- 2. The Mediated Freak Body -- 3. Horror Movies, Horror Bodies: Blurring the Freak Body in Cinema -- 4. Reality, Normality, Sexuality: ?Authentic? Portrayals of the Freak -- 5. Disability Pornography and the Cultural Politics of Disabled Sexuality -- 6. Born This Way?: Disseminating Identification.
330   $aThis book traces how the American freak show has re-emerged in new visual forms in the 21st century. It explores the ways in which moving image media transmits and contextualizes, reinterprets and appropriates the freak show model into a ?new American freak show.? It investigates how new freak representations introduce narratives about sex, gender, and cultural perceptions of people with disabilities. The chapters examine such representations found in horror films, including a prolonged look at Freaks (1932) and The Texas Chainsaw Massacre (1974), documentaries such as Murderball (2005) and TLC?s Push Girls (2012-present), disability pornography including the pornographic documentary Sick: The Life and Death of Bob Flanagan Supermasochist (1997), and the music icons Marilyn Manson and Lady Gaga in their portrayals of disability and freakishness. Through this book we learn that the visual culture that has emerged takes the place of the traditional freak show but opens new channels of interpretation and identification through its use of mediated images as well as the altered freak-norm relationship that it has fostered. In its illumination of the relationship between normal and freakish bodies through different media, this book will appeal to students and academics interested in disability studies, gender studies, film theory, critical race theory and cultural studies. .
606   $aPopular Culture
606   $aPeople with disabilities
606   $aCulture
606   $aGender
606   $aFilm genres
606   $aUnited States?Study and teaching
606   $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170
606   $aDisability Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22280
606   $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210
606   $aGenre$3https://scigraph.springernature.com/ontologies/product-market-codes/413110
606   $aAmerican Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411010
615  0$aPopular Culture.
615  0$aPeople with disabilities.
615  0$aCulture.
615  0$aGender.
615  0$aFilm genres.
615  0$aUnited States?Study and teaching.
615 14$aPopular Culture .
615 24$aDisability Studies.
615 24$aCulture and Gender.
615 24$aGenre.
615 24$aAmerican Culture.
676   $a791.1
700   $aWilliams$b Jessica L$4aut$4http://id.loc.gov/vocabulary/relators/aut$01061274
906   $aBOOK
912   $a9910255077203321
996   $aMedia, Performative Identity, and the New American Freak Show$92518147
997   $aUNINA