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010   $a9783319598154
010   $a3319598155
024 7 $a10.1007/978-3-319-59815-4
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035   $a(DE-He213)978-3-319-59815-4
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101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLocating Nordic Noir $eFrom Beck to The Bridge /$fby Kim Toft Hansen, Anne Marit Waade
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (IX, 313 p. 8 illus., 6 illus. in color.) 
225 1 $aPalgrave European Film and Media Studies,$x2634-6168
311 08$a9783319598147 
311 08$a3319598147 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1. Introduction: Where is Nordic Noir? -- 2. Part I: Local colour and location studies - Local colour and places on screen -- 3. Location studies: a topography of Nordic noir -- 4. Four perspectives on the Nordic region -- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone -- 6. Beck and character adaptations -- 7. Funding models and increasing transnationalism -- 8. Part III: Written for the Danish screen - The Killing and DR's Danish model -- 9. Norskov and Danish commercial public service drama -- 10. The Team, Danish transnationalism and the local colour of Europe -- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original -- 12. Trapped and original Noir from Iceland and Norway -- 13. The Bridge, transnational co-productions and screen tourism -- 14. Con clusion: Nordic Noir beyond the Nordic. .
330   $aThis book is a comprehensive study of Nordic Noir television drama from the 1990's until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an interest in crime drama as well as scholars and students of television drama.
410  0$aPalgrave European Film and Media Studies,$x2634-6168
606   $aMotion pictures
606   $aTelevision broadcasting
606   $aEthnology$zEurope
606   $aCulture
606   $aCommunication
606   $aPopular culture
606   $aHuman geography
606   $aFilm and Television Studies
606   $aEuropean Culture
606   $aMedia and Communication
606   $aPopular Culture
606   $aHuman Geography
615  0$aMotion pictures.
615  0$aTelevision broadcasting.
615  0$aEthnology
615  0$aCulture.
615  0$aCommunication.
615  0$aPopular culture.
615  0$aHuman geography.
615 14$aFilm and Television Studies.
615 24$aEuropean Culture.
615 24$aMedia and Communication.
615 24$aPopular Culture.
615 24$aHuman Geography.
676   $a791.4
700   $aToft Hansen$b Kim$4aut$4http://id.loc.gov/vocabulary/relators/aut$0887209
702   $aWaade$b Anne Marit$4aut$4http://id.loc.gov/vocabulary/relators/aut
906   $aBOOK
912   $a9910255075603321
996   $aLocating Nordic Noir$91982012
997   $aUNINA