LEADER 04251nam 22005775 450 001 9910255075403321 005 20200702234258.0 010 $a3-319-60008-7 024 7 $a10.1007/978-3-319-60008-6 035 $a(CKB)4100000000882631 035 $a(DE-He213)978-3-319-60008-6 035 $a(MiAaPQ)EBC5110273 035 $a(EXLCZ)994100000000882631 100 $a20171022d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReassessing the Hitchcock Touch $eIndustry, Collaboration, and Filmmaking /$fedited by Wieland Schwanebeck 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XIV, 273 p. 36 illus.) 311 $a3-319-60007-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock?s Early British Sound Films -- 3. Between Caméra Stylo and the Making of Images: Hitchcock?s Cinematographers -- 4. Hitchcock?s Plotting -- 5. Hitchcock?s Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. ?If I Won?t Be Myself, Who Will??: The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock?s ?Pictorial Consultant? -- 10. Alfred Hitchcock?s Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock?s Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock. 330 $aThis volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock?s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock?s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock?s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972). 606 $aMotion pictures 606 $aMotion pictures?Production and direction 606 $aFilm genres 606 $aMotion pictures?History 606 $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090 606 $aDirecting$3https://scigraph.springernature.com/ontologies/product-market-codes/413080 606 $aClose Reading$3https://scigraph.springernature.com/ontologies/product-market-codes/413250 606 $aGenre$3https://scigraph.springernature.com/ontologies/product-market-codes/413110 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 615 0$aMotion pictures. 615 0$aMotion pictures?Production and direction. 615 0$aFilm genres. 615 0$aMotion pictures?History. 615 14$aFilm Theory. 615 24$aDirecting. 615 24$aClose Reading. 615 24$aGenre. 615 24$aFilm History. 676 $a791.4301 702 $aSchwanebeck$b Wieland$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910255075403321 996 $aReassessing the Hitchcock Touch$91910283 997 $aUNINA