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010   $a9783319661704$b(electronic bk.)
010   $a3-319-66170-1$b(electronic bk.)
024 7 $a10.1007/978-3-319-66170-4
035   $a(OCoLC)1012343191
035   $a(MiFhGG)GVRL733P
035   $a(EXLCZ)994100000001040335
100   $a20201019h20172017  uy             0
101 0 $aeng
135   $aurun|---uuuua
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aBlack masculinity and the cinema of policing /$fJared Sexton
205   $a1st ed. 2017.
210  1$aCham, Switzerland :$cPalgrave Macmillan,$d[2017]
210  4$d?2017
215   $a1 online resource (xxvii, 199 pages) $cillustrations (some color)
225 0 $aGale eBooks
311   $a3-319-66169-8 
320   $aIncludes bibliographical references and index.
327   $aChapter 1. Chaos and Opportunity: On Training Day -- Chapter 2. History and Power: On Pride -- Chapter 3. Fantasy and Desire: On Friday Night Lights and Coach Carter -- Chapter 4. Origins and Beginnings: On The Blind Side -- Chapter 5. Comedy and Romance: On Diff?rent Strokes and Webster -- Chapter 6. Shadow and Myth: On Stranger Inside and Moonlight.
330   $aThis book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush?s 2001 announcement of the War on Terror and President Barack Obama?s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions?from Antoine Fuqua?s Training Day to John Lee Hancock?s The Blind Side to Barry Jenkin's Moonlight?to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
606   $aAfrican American men in motion pictures
606   $aRace relations in motion pictures
606   $aPatriarchy in motion pictures
606   $aMotion pictures$xSocial aspects
615  0$aAfrican American men in motion pictures.
615  0$aRace relations in motion pictures.
615  0$aPatriarchy in motion pictures.
615  0$aMotion pictures$xSocial aspects.
676   $a791.4365204108996073
700   $aSexton$b Jared$4aut$4http://id.loc.gov/vocabulary/relators/aut$0950286
801  0$bMiFhGG
801  1$bMiFhGG
906   $aBOOK
912   $a9910255074603321
996   $aBlack Masculinity and the Cinema of Policing$92518145
997   $aUNINA