LEADER 01127nam a2200289 i 4500 001 991001725789707536 005 20020502201314.0 008 950113s1990 it ||| | ita 020 $a8843531166 035 $ab10898232-39ule_inst 035 $aLE02375411$9ExL 040 $aDip.to Studi Storici$bita 082 0 $a759.5 100 1 $aPalma il Giovane$0212620 245 10$aPalma il Giovane, 1548-1628 :$bdisegni e dipinti :$b[catalogo della mostra], Venezia, Museo Correr, 20 gennaio-29 aprile 1990 /$ca cura di Stefania Mason Rinaldi 260 $aMilano :$bElecta,$cc1990 300 $a241 p. :$bill. (alcune col.) ;$c28 cm. 500 $aBibliografia p. 239-241 650 4$aMostra - Venezia$y1990 650 4$aPalma il Giovane,$y1544-1628$xCatalogo 700 1 $aMason Rinaldi, Stefania 907 $a.b10898232$b21-09-06$c28-06-02 912 $a991001725789707536 945 $aLE023 759.5 PAL 1 1$g1$i2023000019924$lle023$o-$pE0.00$q-$rl$s- $t0$u5$v0$w5$x0$y.i11004071$z28-06-02 996 $aPalma il Giovane, 1548-1628$9921070 997 $aUNISALENTO 998 $ale023$b01-01-95$cm$da $e-$fita$git $h0$i1 LEADER 03044nam 22005895 450 001 9910255074403321 005 20220119144647.0 010 $a9783319616933 010 $a3319616935 024 7 $a10.1007/978-3-319-61693-3 035 $a(CKB)4100000000882638 035 $a(DE-He213)978-3-319-61693-3 035 $a(MiAaPQ)EBC5106077 035 $a(Perlego)3497793 035 $a(EXLCZ)994100000000882638 100 $a20171014d2017 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm/Music Analysis $eA Film Studies Approach /$fby Emilio Audissino 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource $cillustrations 225 1 $aPalgrave Studies in Audio-Visual Culture,$x2634-6362 311 08$a9783319616926 311 08$a3319616927 320 $aIncludes bibliographical references, filmography and index. 327 $a1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music.- 9. Recapitulation and Final Thoughts. 330 $aThis book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book  brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films. 410 0$aPalgrave Studies in Audio-Visual Culture,$x2634-6362 606 $aMotion pictures 606 $aMusic 606 $aTelevision broadcasting 606 $aAudio-Visual Culture 606 $aMusic 606 $aFilm Theory 606 $aFilm and Television Studies 615 0$aMotion pictures. 615 0$aMusic. 615 0$aTelevision broadcasting. 615 14$aAudio-Visual Culture. 615 24$aMusic. 615 24$aFilm Theory. 615 24$aFilm and Television Studies. 676 $a781.542 700 $aAudissino$b Emilio$4aut$4http://id.loc.gov/vocabulary/relators/aut$0887207 906 $aBOOK 912 $a9910255074403321 996 $aFilm$91982010 997 $aUNINA