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010   $a3-319-62806-2
024 7 $a10.1007/978-3-319-62806-6
035   $a(CKB)4100000001040344
035   $a(DE-He213)978-3-319-62806-6
035   $a(MiAaPQ)EBC5132429
035   $a(EXLCZ)994100000001040344
100   $a20171109d2017      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aTransnational European Television Drama $eProduction, Genres and Audiences /$fby Ib Bondebjerg, Eva Novrup Redvall, Rasmus Helles, Signe Sophus Lai, Henrik Søndergaard, Cecilie Astrupgaard
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (330 pages)
225 1 $aPalgrave European Film and Media Studies,$x2634-615X
311   $a3-319-62805-4 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1. Introduction: Transnational European TV Studies -- 2. A Theory of Mediated Cultural Encounters -- 3. The Perfect Storm: European Television Policy and the Emergence of Streaming Services -- 4. Networks and Patterns of European TV-drama Co-production -- 5. Creative Work in a Transnational Context: Creative Encounters Behind the Scenes -- 6. National Patterns of TV-drama Consumption in Europe -- 7. Meeting the Others on TV: How Europeans View European TV-drama -- 8. Facing Everyday Life and the Societies We Live In: Contemporary Drama -- 9. The Darker Sides of Society: Crime Drama -- 10. History, Heritage and Memory: Historical Drama -- 11. Conclusion: European Television - Diversity with very little unity?.
330   $aThis book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.
410  0$aPalgrave European Film and Media Studies,$x2634-615X
606   $aMotion pictures and television
606   $aEthnology?Europe
606   $aCulture
606   $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000
606   $aEuropean Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411070
606   $aGlobal/International Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411160
615  0$aMotion pictures and television.
615  0$aEthnology?Europe.
615  0$aCulture.
615 14$aScreen Studies.
615 24$aEuropean Culture.
615 24$aGlobal/International Culture.
676   $a791.4
686   $a32.20.14.08$2EP-CLASS
686   $a32.20.14$2EP-CLASS
700   $aBondebjerg$b Ib$4aut$4http://id.loc.gov/vocabulary/relators/aut$0891167
702   $aRedvall$b Eva Novrup$4aut$4http://id.loc.gov/vocabulary/relators/aut
702   $aHelles$b Rasmus$4aut$4http://id.loc.gov/vocabulary/relators/aut
702   $aLai$b Signe Sophus$4aut$4http://id.loc.gov/vocabulary/relators/aut
702   $aSøndergaard$b Henrik$4aut$4http://id.loc.gov/vocabulary/relators/aut
702   $aAstrupgaard$b Cecilie$4aut$4http://id.loc.gov/vocabulary/relators/aut
906   $aBOOK
912   $a9910255073203321
996   $aTransnational European Television Drama$92005809
997   $aUNINA