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200 10$aTime, Technology and Narrative Form in Contemporary US Television Drama $ePause, Rewind, Record /$fby JP Kelly
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XII, 279 p. 14 illus. in color.) 
311   $a3-319-63117-9 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1. INTRODUCTION -- 2. PART I. POWER ON - A (Very) Brief History of Time: From Analogue to Digital -- 3. The Temporal Regimes of TVIII: From Broadcasting to Streaming -- 4. PART II. ACCELERATION -  In the ?Perpetual Now?: Split-Screens, Simultaneity & Seriality -- 5. A Stretch of Time: Extended Distribution & Narrative Accumulation -- 6. PART III. COMPLEXITY - Time Shifting in TVIII: The Industrial, Textual & Paratextual Complexities of Prime Time Drama -- 7. ?Remembering What Will Be?: Prolepsis, Pre-sales, & Premediation in TVIII -- 8. PART IV. RETROSPECTION - Deja View: Media, Memory & Marketing in TVIII -- 9. CONCLUSION -?Previously On??: Recapping the Narrative and Distributive Temporalities of TVIII.
330   $aThis book examines how television has been transformed over the past twenty years by the introduction of new viewing technologies including DVDs, DVRs and streaming services such as Netflix, Hulu and Amazon Prime. It shows that these platforms have profoundly altered the ways we access and watch television, enabling viewers to pause, rewind, record and archive the once irreversible flow of broadcast TV. JP Kelly argues that changes in the technological landscape of television has encouraged the production of narrative forms that both explore and embody new industrial temporalities. Focusing on US television but also considering the role of TV within a global marketplace, the author identifies three distinct narrative temporalities: ?acceleration? (24; Prison Break), ?complexity? (Lost; FlashForward), and ?retrospection? (Mad Men).  Through industrial-textual analysis of television shows, this cross-disciplinary study locates these na rrative temporalities in their socio-cultural contexts and examines connections between production, distribution, and narrative form in the contemporary television industry.
606   $aMotion pictures
606   $aCulture
606   $aTechnology
606   $aUnited States?Study and teaching
606   $aDigital media
606   $aFilm/TV Technology$3https://scigraph.springernature.com/ontologies/product-market-codes/413160
606   $aCulture and Technology$3https://scigraph.springernature.com/ontologies/product-market-codes/411180
606   $aAmerican Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411010
606   $aDigital/New Media$3https://scigraph.springernature.com/ontologies/product-market-codes/412040
615  0$aMotion pictures.
615  0$aCulture.
615  0$aTechnology.
615  0$aUnited States?Study and teaching.
615  0$aDigital media.
615 14$aFilm/TV Technology.
615 24$aCulture and Technology.
615 24$aAmerican Culture.
615 24$aDigital/New Media.
676   $a791.4575
700   $aKelly$b JP$4aut$4http://id.loc.gov/vocabulary/relators/aut$0926832
906   $aBOOK
912   $a9910255073103321
996   $aTime, Technology and Narrative Form in Contemporary US Television Drama$92081508
997   $aUNINA