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024 7 $a10.1007/978-3-319-55188-3
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100   $a20170712d2017      u|             0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aAlfred Hitchcock's Vertigo and the Hermeneutic Spiral$b[electronic resource] /$fby Robert J. Belton
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XI, 155 p. 4 illus.) 
311   $a3-319-55187-6 
320   $aIncludes bibliographical references and index.
327   $aChapter 1: Introduction -- Chapter 2: The Hermeneutic Spiral -- Chapter 3: Vertigo -- Chapter 4: Forcing Insight with Sight and the Availability Heuristic -- Chapter 5: Vertigo, Duchamp?s Anémic Cinéma, and a ?i?ekian Brassiere -- Chapter 6: Vertigo, Man Ray?s L?Etoile de mer, and Flowers -- Chapter 7: Vertigo, Kubrick?s The Shining, Spellbound and Liberty -- Chapter 8: Vertigo, Lynch?s Twin Peaks and the Record Player -- Chapter 9: Vertigo, Etrog?s Spiral, The Shining and Traumatic Memory -- Chapter 10: Vertigo, The Shining, Spatial Mental Models, and the Uncanny.
330   $aThis book offers a new approach to film studies by showing how our brains use our interpretations of various other films in order to understand Alfred Hitchcock?s Vertigo. Borrowing from behavioral psychology, cognitive science and philosophy, author Robert J. Belton seeks to explain differences of critical opinion as inevitable. The book begins by introducing the hermeneutic spiral, a cognitive processing model that categorizes responses to Vertigo?s meaning, ranging from wide consensus to wild speculations of critical ?outliers.? Belton then provides an overview of the film, arguing that different interpreters literally see and attend to different things. The fourth chapter builds on this conclusion, arguing that because people see different things, one can force the production of new meanings by deliberately drawing attention to unusual comparisons. The latter chapters outline a number of such comparisons?including avant-garde films and the works of Stanley Kubrick and David Lynch?to shed new light on the meanings of Vertigo.
606   $aMotion pictures?History
606   $aMotion pictures
606   $aHermeneutics
606   $aAesthetics
606   $aCognitive psychology
606   $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070
606   $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090
606   $aHermeneutics$3https://scigraph.springernature.com/ontologies/product-market-codes/E44050
606   $aAudio-Visual Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/413190
606   $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000
606   $aCognitive Psychology$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20060
615  0$aMotion pictures?History.
615  0$aMotion pictures.
615  0$aHermeneutics.
615  0$aAesthetics.
615  0$aCognitive psychology.
615 14$aFilm History.
615 24$aFilm Theory.
615 24$aHermeneutics.
615 24$aAudio-Visual Culture.
615 24$aAesthetics.
615 24$aCognitive Psychology.
676   $a791.4309
700   $aBelton$b Robert J$4aut$4http://id.loc.gov/vocabulary/relators/aut$0887206
906   $aBOOK
912   $a9910255069403321
996   $aAlfred Hitchcock's Vertigo and the Hermeneutic Spiral$91982009
997   $aUNINA