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010   $a3-319-50097-X
024 7 $a10.1007/978-3-319-50097-3
035   $a(CKB)4340000000061429
035   $a(MiAaPQ)EBC4910260
035   $a(DE-He213)978-3-319-50097-3
035   $a(EXLCZ)994340000000061429
100   $a20170711d2017      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aBritish Broadcasting and the Public-Private Dichotomy $eNeoliberalism, Citizenship and the Public Sphere /$fby Simon Dawes
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (239 pages)
311   $a3-319-50096-1 
320   $aIncludes bibliographical references and index.
327   $a1. Broadcasting Regulation, History and Theory -- 2. Geneology, Critique and the Public-Private Dichotomy -- 3. Broadcasting and the Public Sphere -- 4. Broadcasting, Citizenship and Consumption -- 5. Broadcasting and Neoliberalism -- 6. Problematising Public Control, Service, Interest and Value -- 7. Problematising the Public, Citizens and Consumers -- 8. Problematising Monopoly, Competition and Choice. - 9. The Social, the Political and the Public Sphere -- 10. Individualization, Voice and Citizenship -- 11. Neoliberalization as Discursive Process -- 12. Why the Public-Private Dichotomy Still Matters.
330   $aThis text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point. Unlike most books on broadcasting, this text adopts an explicitly Foucauldian and genealogical perspective in its account of media history and power, and unpicks how the meanings of terms such as 'public service' and 'public interest', as well as 'competition' and 'choice', have evolved over time. In considering the appropriation by broadcasting scholars of concepts such as neoliberalism, citizenship and the public sphere to a critical account of broadcasting history, the book assesses their appropriateness and efficacy by engaging with interdisciplinary debates on each concept. This work will be of particular significance to academics and students with an interest in media theory, history, policy and regulation, as well as those disposed to understanding as well as critiquing the neoliberalization of public media.
606   $aCommunication
606   $aMotion pictures and television
606   $aCultural policy
606   $aCulture?Study and teaching
606   $aGreat Britain?History
606   $aTechnology in literature
606   $aMedia and Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/412010
606   $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000
606   $aCultural Policy and Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/411120
606   $aCultural Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/411130
606   $aHistory of Britain and Ireland$3https://scigraph.springernature.com/ontologies/product-market-codes/717020
606   $aLiterature and Technology/Media$3https://scigraph.springernature.com/ontologies/product-market-codes/827000
615  0$aCommunication.
615  0$aMotion pictures and television.
615  0$aCultural policy.
615  0$aCulture?Study and teaching.
615  0$aGreat Britain?History.
615  0$aTechnology in literature.
615 14$aMedia and Communication.
615 24$aScreen Studies.
615 24$aCultural Policy and Politics.
615 24$aCultural Theory.
615 24$aHistory of Britain and Ireland.
615 24$aLiterature and Technology/Media.
676   $a384.540941
700   $aDawes$b Simon$4aut$4http://id.loc.gov/vocabulary/relators/aut$0964450
906   $aBOOK
912   $a9910255068703321
996   $aBritish Broadcasting and the Public-Private Dichotomy$92188084
997   $aUNINA