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010   $a9783319495231
010   $a3319495232
024 7 $a10.1007/978-3-319-49523-1
035   $a(CKB)3710000001393624
035   $a(DE-He213)978-3-319-49523-1
035   $a(MiAaPQ)EBC4871120
035   $a(Perlego)3497682
035   $a(MiAaPQ)EBC6241983
035   $a(EXLCZ)993710000001393624
100   $a20170602d2017      u|         0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aBaroque, Venice, Theatre, Philosophy /$fby Will Daddario
205   $a1st ed. 2017.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (IX, 261 p.) 
225 1 $aPerformance Philosophy,$x2057-7176
311 08$a9783319495224 
311 08$a3319495224 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.
330   $aThis book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
410  0$aPerformance Philosophy,$x2057-7176
606   $aTheater$xHistory
606   $aAesthetics
606   $aEurope$xHistory$x1492-
606   $aArts
606   $aTheater
606   $aTheatre History
606   $aAesthetics
606   $aHistory of Early Modern Europe
606   $aFine Art
606   $aNational and Regional Theatre and Performance
615  0$aTheater$xHistory.
615  0$aAesthetics.
615  0$aEurope$xHistory$x1492-.
615  0$aArts.
615  0$aTheater.
615 14$aTheatre History.
615 24$aAesthetics.
615 24$aHistory of Early Modern Europe.
615 24$aFine Art.
615 24$aNational and Regional Theatre and Performance.
676   $a792.09
700   $aDaddario$b Will$4aut$4http://id.loc.gov/vocabulary/relators/aut$01030084
906   $aBOOK
912   $a9910255067903321
996   $aBaroque, Venice, Theatre, Philosophy$92542850
997   $aUNINA