LEADER 04217nam  22005775  450 
001 9910255064103321
005 20230810143452.0
010   $a1-137-50838-8
024 7 $a10.1057/978-1-137-50838-6
035   $a(CKB)3710000001151298
035   $a(DE-He213)978-1-137-50838-6
035   $a(MiAaPQ)EBC4837589
035   $a(EXLCZ)993710000001151298
100   $a20170406d2017      u|         0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aIntermedial Theater $ePerformance Philosophy, Transversal Poetics, and the Future of Affect /$fby Bryan Reynolds
205   $a1st ed. 2017.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017.
215   $a1 online resource (XVIII, 314 p. 30 illus., 26 illus. in color.) 
225 1 $aPalgrave Studies in Performance and Technology,$x2947-5856
311   $a1-137-50837-X 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $a1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet?s Headspace: Noodling with Deleuze, Thomas Ostermeier?s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-.
330   $aThis book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today?s audiences.
410  0$aPalgrave Studies in Performance and Technology,$x2947-5856
606   $aTheater$xHistory
606   $aTheater
606   $aAesthetics
606   $aPoetry
606   $aContemporary Theatre and Performance
606   $aGlobal and International Theatre and Performance
606   $aAesthetics
606   $aPoetry and Poetics
615  0$aTheater$xHistory.
615  0$aTheater.
615  0$aAesthetics.
615  0$aPoetry.
615 14$aContemporary Theatre and Performance.
615 24$aGlobal and International Theatre and Performance.
615 24$aAesthetics.
615 24$aPoetry and Poetics.
676   $a700
700   $aReynolds$b Bryan$4aut$4http://id.loc.gov/vocabulary/relators/aut$0607412
906   $aBOOK
912   $a9910255064103321
996   $aIntermedial Theater$92220938
997   $aUNINA