LEADER 04274nam 22006735 450 001 9910255063503321 005 20200930203656.0 010 $a1-137-30601-7 024 7 $a10.1057/978-1-137-30601-2 035 $a(CKB)3710000001108813 035 $a(DE-He213)978-1-137-30601-2 035 $a(MiAaPQ)EBC4825697 035 $a(EXLCZ)993710000001108813 100 $a20170317d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSpanish Gothic $eNational Identity, Collaboration and Cultural Adaptation /$fby Xavier Aldana Reyes 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (X, 241 p.) 225 1 $aPalgrave Gothic,$x2634-6214 311 $a1-137-30600-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a1. INTRODUCTION: DEFINING AND DELIMITING THE SPANISH GOTHIC -- 2. PART I - FIRST WAVE GOTHIC (1785?1834) - Chapter 1. Imported Terrors and First Genre Hybrids -- 3. Chapter 2. The Early Spanish Gothic Novel (1800?34) -- 4. PART II - FROM ROMANTICISM TO THE FIN-DE-SIÈCLE (1834?1900) - Chapter 3. Spanish Romanticism and the Gothic -- 5. Chapter 4. From the 1860s to the Fin-de-Siècle: The Development of the Gothic Short Story -- 6. PART III - MODERN AND CONTEMPORARY GOTHIC LITERATURE (1900?2016) - Chapter 5. The Twentieth Century (1900?75): Modernist Spiritualism and Political Gothic -- 7. Chapter 6. From the Death of Franco to the Present: The Establishment of Horror and the Gothic Auteur -- 8. PART IV - SPANISH GOTHIC CINEMA (1906?2016) - Chapter 7. From Segundo de Chomón to the Rise and Fall of ?Fantaterror? -- 9. Chapter 8. The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History -- 10. Conclusion: A Language of Collaboration and Liberation. . 330 $aThis book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language. 410 0$aPalgrave Gothic,$x2634-6214 606 $aMotion pictures 606 $aEthnology?Europe 606 $aMotion pictures?History 606 $aLiterature?History and criticism 606 $aMotion pictures?European influences 606 $aEuropean literature 606 $aFilm Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/413090 606 $aEuropean Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411070 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aLiterary History$3https://scigraph.springernature.com/ontologies/product-market-codes/813000 606 $aEuropean Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413060 606 $aEuropean Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/832000 615 0$aMotion pictures. 615 0$aEthnology?Europe. 615 0$aMotion pictures?History. 615 0$aLiterature?History and criticism. 615 0$aMotion pictures?European influences. 615 0$aEuropean literature. 615 14$aFilm Theory. 615 24$aEuropean Culture. 615 24$aFilm History. 615 24$aLiterary History. 615 24$aEuropean Cinema and TV. 615 24$aEuropean Literature. 676 $a791.4301 700 $aAldana Reyes$b Xavier$4aut$4http://id.loc.gov/vocabulary/relators/aut$0892298 906 $aBOOK 912 $a9910255063503321 996 $aSpanish Gothic$91992539 997 $aUNINA