LEADER 03464nam 22005535 450 001 9910255063303321 005 20200703232945.0 010 $a1-137-55604-8 024 7 $a10.1057/978-1-137-55604-2 035 $a(CKB)3710000001184598 035 $a(DE-He213)978-1-137-55604-2 035 $a(MiAaPQ)EBC4851688 035 $a(EXLCZ)993710000001184598 100 $a20170428d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNew Media Dramaturgy $ePerformance, Media and New-Materialism /$fby Peter Eckersall, Helena Grehan, Edward Scheer 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XI, 236 p. 22 illus.) 225 1 $aNew Dramaturgies 311 $a1-137-55603-X 320 $aIncludes bibliographical references. 327 $a1. Cue Black Shadow Effect: The New Media Dramaturgy Experience -- 2. The Virtual Machine: Projection in the Theatre -- 3. Organised Light and ?Useful Lumens? in Environmental Video Projection: Or the Meaning of Light -- 4. The Theatre of Atmospheres -- 5. Robots: Asleep, Awake, Alone, and in Love -- 6. The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy -- 7. XD: Reproducing Technological Experience -- 8. Play/Pause, FF/Rewind, End. Machine Times, End Times: Theatre, Live Film, and Video -- Bibliography -- Index.-. 330 $aThis book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance pH, to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media. 410 0$aNew Dramaturgies 606 $aPerforming arts 606 $aTheater 606 $aTheater?Production and direction 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aTheatre Direction and Production$3https://scigraph.springernature.com/ontologies/product-market-codes/415050 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater?Production and direction. 615 14$aPerforming Arts. 615 24$aContemporary Theatre. 615 24$aTheatre Direction and Production. 676 $a790 700 $aEckersall$b Peter$4aut$4http://id.loc.gov/vocabulary/relators/aut$0892297 702 $aGrehan$b Helena$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aScheer$b Edward$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910255063303321 996 $aNew Media Dramaturgy$91992538 997 $aUNINA