LEADER 03942nam 22006495 450 001 9910255062403321 005 20200704125519.0 010 $a1-137-48992-8 024 7 $a10.1057/978-1-137-48992-0 035 $a(CKB)3710000001184549 035 $a(DE-He213)978-1-137-48992-0 035 $a(MiAaPQ)EBC4851834 035 $a(EXLCZ)993710000001184549 100 $a20170429d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBritish Women Film Directors in the New Millennium$b[electronic resource] /$fby Stella Hockenhull 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XI, 264 p. 5 illus. in color.) 311 $a1-137-48991-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Women and British cinema funding: from the UKFC to creative England -- Women directors and documentary cinema -- Women directors and poetic realism -- Popular cinema from a female perspective -- Alternatives to mainstream and classic modes of narration -- Conclusion. 330 $aThis book focuses on the output of women film directors in the period post Millennium when the number of female directors working within the film industry rose substantially. Despite the fact that nationally and internationally women film directors are underrepresented within the industry, there is a wealth of talent currently working in Britain. During the early part of the 2000s, the UKFC instigated policies and strategies for gender equality and since then the British Film Institute has continued to encourage diversity. British Women Directors in the New Millennium therefore examines the production, distribution and exhibition of female directors? work in light of policy. The book is divided into two sections: part one includes a historical background of women directors working in the twentieth century before discussing the various diversity funding opportunities available since 2000. The second part of the book examines the innovation, creativity and resourcefulness of British female film directors, as well as the considerable variety of films that they produce, selecting specific examples for analysis in the process.    . 606 $aEthnology?Europe 606 $aCulture 606 $aGender 606 $aMotion pictures?Production and direction 606 $aMotion pictures 606 $aMotion pictures?Great Britain 606 $aBritish Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411050 606 $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210 606 $aDirecting$3https://scigraph.springernature.com/ontologies/product-market-codes/413080 606 $aFilm/TV Industry$3https://scigraph.springernature.com/ontologies/product-market-codes/413170 606 $aBritish Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413040 606 $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210 615 0$aEthnology?Europe. 615 0$aCulture. 615 0$aGender. 615 0$aMotion pictures?Production and direction. 615 0$aMotion pictures. 615 0$aMotion pictures?Great Britain. 615 14$aBritish Culture. 615 24$aCulture and Gender. 615 24$aDirecting. 615 24$aFilm/TV Industry. 615 24$aBritish Cinema and TV. 615 24$aCulture and Gender. 676 $a306.0941 700 $aHockenhull$b Stella$4aut$4http://id.loc.gov/vocabulary/relators/aut$0885100 906 $aBOOK 912 $a9910255062403321 996 $aBritish Women Film Directors in the New Millennium$92536807 997 $aUNINA