LEADER 03577nam 22005775 450 001 9910255061403321 005 20200707015839.0 010 $a3-319-55272-4 024 7 $a10.1007/978-3-319-55272-9 035 $a(CKB)4340000000061441 035 $a(DE-He213)978-3-319-55272-9 035 $a(MiAaPQ)EBC4921459 035 $a(EXLCZ)994340000000061441 100 $a20170720d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHesitant Histories on the Romanian Screen /$fby László Strausz 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (VIII, 257 p. 20 illus., 18 illus. in color.) 311 $a3-319-55271-6 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Hesitation as an interpretive strategy -- 3. Modernism under construction: films on filmmaking in the Ceau?escu years -- 4. Television as a factory of history: the broadcast of the 1989 Romanian Revolution -- 5. Contesting the canon of the past: state socialism and the regime change in the new Romanian cinema -- 6. Outcasts, fugitives and migrants: mobility and social production of space -- 7. Sanatorium Romania: regulating the body in the hospital, the prison and the convent -- 8. The crisis of masculinity in post-socialist society -- 9. Epilogue: authorial films and genres, festivals and audiences. . 330 $aThis book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation. 606 $aMotion pictures and television 606 $aEthnology?Europe 606 $aRussia?History 606 $aEurope, Eastern?History 606 $aHistoriography 606 $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000 606 $aEuropean Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411070 606 $aRussian, Soviet, and East European History$3https://scigraph.springernature.com/ontologies/product-market-codes/717090 606 $aMemory Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/711010 615 0$aMotion pictures and television. 615 0$aEthnology?Europe. 615 0$aRussia?History. 615 0$aEurope, Eastern?History. 615 0$aHistoriography. 615 14$aScreen Studies. 615 24$aEuropean Culture. 615 24$aRussian, Soviet, and East European History. 615 24$aMemory Studies. 676 $a791.4 700 $aStrausz$b László$4aut$4http://id.loc.gov/vocabulary/relators/aut$01057812 906 $aBOOK 912 $a9910255061403321 996 $aHesitant Histories on the Romanian Screen$92494585 997 $aUNINA