LEADER 04337nam 22006255 450 001 9910255017603321 005 20221222171457.0 010 $a3-319-28722-2 024 7 $a10.1007/978-3-319-28722-5 035 $a(CKB)3710000000718242 035 $a(EBL)4537340 035 $a(DE-He213)978-3-319-28722-5 035 $a(MiAaPQ)EBC4617964 035 $a(PPN)194380130 035 $a(EXLCZ)993710000000718242 100 $a20160601d2016 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCurating the Digital $eSpace for Art and Interaction /$fedited by David England, Thecla Schiphorst, Nick Bryan-Kinns 205 $a1st ed. 2016. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2016. 215 $a1 online resource (186 p.) 225 1 $aSpringer Series on Cultural Computing,$x2195-9056 300 $aDescription based upon print version of record. 311 $a3-319-28720-6 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aArt.CHI Curating the Digital -- A Designerly Way of Curating: Reflecting on Interaction Design Methods for Curatorial Practice.-Dealing with Disobedient Objects -- Curating Lively Objects: Post-Disciplinary Affordances for Media Art Exhibitions -- A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation -- A Free-form Medium for Curating the Digital -- ICT&ART Connect: Connecting ICT & Art Communities Project Outcomes -- Interactivity and User Engagement in Art Presentation Interfaces -- Investigating Design and Evaluation Guidelines for Interactive Presentation of Visual Art -- Virtual Reality, Game Design and Virtual Art Galleries -- Adaptable, Personalizable and Multi User Museum Exhibits. 330 $aThis book combines work from curators, digital artists, human computer interaction researchers and computer scientists to examine the mutual benefits and challenges posed when working together to support digital art works in their many forms. In Curating the Digital we explore how we can work together to make space for art and interaction. We look at the various challenges such as the dynamic nature of our media, the problems posed in preserving digital art works and the thorny problems of how we assess and measure audience?s reactions to interactive digital work. Curating the Digital is an outcome of a multi-disciplinary workshop that took place at SICHI2014 in Toronto. The participants from the workshop reflected on the theme of Curating the Digital via a series of presentations and rapid prototyping exercises to develop a catalogue for the future digital art gallery. The results produce a variety of insights both around the theory and philosophy of curating digital works, and also around the practical and technical possibilities and challenges. We present these complimentary chapters so that other researchers and practitioners in related fields will find motivation and imagination for their own work. 410 0$aSpringer Series on Cultural Computing,$x2195-9056 606 $aUser interfaces (Computer systems) 606 $aApplication software 606 $aArts 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 615 0$aUser interfaces (Computer systems) 615 0$aApplication software. 615 0$aArts. 615 14$aUser Interfaces and Human Computer Interaction. 615 24$aComputer Appl. in Arts and Humanities. 615 24$aArts. 676 $a702.85 702 $aEngland$b David$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSchiphorst$b Thecla$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBryan-Kinns$b Nick$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910255017603321 996 $aCurating the Digital$91939208 997 $aUNINA