LEADER 04288nam 22005775 450 001 9910254840303321 005 20200706105455.0 010 $a3-319-49881-9 024 7 $a10.1007/978-3-319-49881-2 035 $a(CKB)3710000001080137 035 $a(DE-He213)978-3-319-49881-2 035 $a(MiAaPQ)EBC6313029 035 $a(MiAaPQ)EBC5578915 035 $a(Au-PeEL)EBL5578915 035 $a(OCoLC)974448900 035 $a(PPN)198873123 035 $a(EXLCZ)993710000001080137 100 $a20170220d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGuide to Unconventional Computing for Music /$fedited by Eduardo Reck Miranda 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2017. 215 $a1 online resource (XI, 284 p. 150 illus., 72 illus. in color.) 311 $a3-319-49880-0 327 $aIntroduction to Unconventional Computing -- On Unconventional Computing for Sound and Music -- On Biophysical Music -- The Transgressive Practices of Silicon Luthiers -- Experiments in Sound and Music Quantum Computing -- Memristor in a Nutshell -- Physarum Inspired Audio: From Oscillatory Sonification to Memristor Music -- An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors -- Towards a Musical Programming Language. 330 $aThis pioneering text/reference explores how innovative new modes of computation may provide exciting new directions for future developments in the music industry, guiding the reader through the latest research in this emerging, interdisciplinary field. This work includes coverage of electronic music compositions and performances that incorporate unconventional interfacing, hacking and circuit bending. Topics and features: Presents an introduction to the broader field of unconventional computing, and to the application of unconventional computing in music composition and performance Discusses initiatives involving biophysical electronic music, the work of self-styled silicon luthiers, and the intersection of music and quantum computing Introduces the memristor, a new electronic component with the potential to revolutionize how computers are built in the future Reviews experiments and practical applications of biological memristors in music Describes IMUSIC, an unconventional tone-based programming language, which enables the programming of computers using musical phrases Includes review questions at the end of each chapter This unique volume is recommended reading for students pursuing postgraduate studies in computer music and associated topics, and for undergraduate students in computing, engineering, and music seeking to understand the key issues in the field. Researchers in academia and the private sector will also find the work to be an invaluable source of information. Prof. Eduardo Reck Miranda is a composer and Professor in Computer Music at Plymouth University, UK, where he is Director of the Interdisciplinary Centre for Computer Music Research (ICCMR). His previous publications include the Springer titles Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance. 606 $aApplication software 606 $aMusic 606 $aComputer architecture 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aComputer System Implementation$3https://scigraph.springernature.com/ontologies/product-market-codes/I13057 615 0$aApplication software. 615 0$aMusic. 615 0$aComputer architecture. 615 14$aComputer Appl. in Arts and Humanities. 615 24$aMusic. 615 24$aComputer System Implementation. 676 $a780.285 702 $aMiranda$b Eduardo Reck$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910254840303321 996 $aGuide to Unconventional Computing for Music$92514353 997 $aUNINA