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101 0 $aeng
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182   $cc$2rdamedia
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200 10$aPost-Punk, Politics and Pleasure in Britain$b[electronic resource] /$fby David Wilkinson
205   $a1st ed. 2016.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016.
215   $a1 online resource (XI, 228 p.) 
225 1 $aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9517
311   $a1-137-49779-3 
320   $aIncludes bibliographical references and index.
327   $aPreface -- 1 Introduction: Shake Your Cosy Attitudes -- 2 Post-Punk and the Politics of Post-War Popular Music -- 3 Post-Punk, Thatcherism and the Libertarian Left -- 4 Is Natural In It? Radical Theory and Educational Capital -- 5 The Politics of the Post-Punk Working Class Autodidact -- 6 Desires Bound With Briars: Freedom, Pleasure and Feminism -- 7 Agents of Change: Post-Punk and the Present.
330   $aAs the Sex Pistols were breaking up, Britain was entering a new era. Punk?s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk?s politics developed into the 1980s. Illustrating that the movement?s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present. .
410  0$aPalgrave Studies in the History of Subcultures and Popular Music,$x2730-9517
606   $aGreat Britain?History
606   $aCivilization?History
606   $aMusic
606   $aHistory of Britain and Ireland$3https://scigraph.springernature.com/ontologies/product-market-codes/717020
606   $aCultural History$3https://scigraph.springernature.com/ontologies/product-market-codes/723000
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
615  0$aGreat Britain?History.
615  0$aCivilization?History.
615  0$aMusic.
615 14$aHistory of Britain and Ireland.
615 24$aCultural History.
615 24$aMusic.
676   $a941
700   $aWilkinson$b David$4aut$4http://id.loc.gov/vocabulary/relators/aut$0162658
906   $aBOOK
912   $a9910254774803321
996   $aPost-Punk, Politics and Pleasure in Britain$92019244
997   $aUNINA