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Parkinson 210 1$aWashington, [D.C.] :$cNational Advisory Committee for Aeronautics,$d1934. 215 $a1 online resource (7 pages, 6 unnumbered pages) $cillustrations 225 1 $aTechnical note / National Advisory Committee for Aeronautics ;$vNo. 490 300 $a"February 1934." 300 $aNo Federal Depository Library Program (FDLP) item number. 320 $aIncludes bibliographical reference (page 7). 606 $aSeaplanes$xTesting 606 $aPlaning hulls 606 $aPlaning hulls$2fast 615 0$aSeaplanes$xTesting. 615 0$aPlaning hulls. 615 7$aPlaning hulls. 700 $aParkinson$b John B.$01023466 712 02$aUnited States.$bNational Advisory Committee for Aeronautics, 801 0$bTRAAL 801 1$bTRAAL 801 2$bOCLCO 801 2$bOCLCF 801 2$bGPO 906 $aBOOK 912 $a9910715345003321 996 $aTank tests of auxiliary vanes as a substitute for planing area$93439065 997 $aUNINA LEADER 03362nam 2200625Ia 450 001 9910780149903321 005 20230617012746.0 010 $a1-280-47743-1 010 $a9786610477432 010 $a1-84150-878-0 035 $a(CKB)111056487011430 035 $a(EBL)283017 035 $a(OCoLC)476029139 035 $a(SSID)ssj0000081871 035 $a(PQKBManifestationID)11120711 035 $a(PQKBTitleCode)TC0000081871 035 $a(PQKBWorkID)10113416 035 $a(PQKB)10897478 035 $a(MiAaPQ)EBC283017 035 $a(Au-PeEL)EBL283017 035 $a(CaPaEBR)ebr10023467 035 $a(CaONFJC)MIL47743 035 $a(EXLCZ)99111056487011430 100 $a20030304d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aLanguages of theatre shaped by women$b[electronic resource] /$f[edited by] Jane de Gay and Lizbeth Goodman 210 $aBristol, UK ;$aPortland, OR $cIntellect$d2003 215 $a1 online resource (202 p.) 300 $aDescription based upon print version of record. 311 $a1-871516-78-1 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminaries; Contents; List of Illustrations; Notes on Contributors; Introduction: Speaking in Tongues - Making (Sense of) Women's Languages in Theatre; 1 Seizing Speech and Playing with Fire: Greek Mythological Heroines and International Women's Performance; 2 Lear's Daughters on Stage and in Multimedia and Fiona Shaw's King Lear Workshops as Case Studies in Breaking the Frame; 3 Playing (with) Shakespeare: Bryony Lavery's Ophelia and Jane Prendergast's I, Hamlet; 4 Theorizing Practice-Based Research: Performing and Analysing Self in Role as 'I, Hamlet' 327 $a5 Transmitting the Voices, Voyages and Visions: Adapting Virginia Woolf's To the Lighthouse for Radio6 Voicing Identities, Reframing Difference(s): The Case of Fo(u)r Women; Fo(u)r Women; 7 Scratch in the Record; 8 One-to-One: Lone Journeys; 9 Mouth Ghosts: The Taste of the Os-Text; Afterword - Shape-Shifters and Hidden Bodies; Bibliography and Further Reading; Index; Back Cover 330 $aAddressing issues of feminism and representation, this book provides a fresh and thorough consideration of the status and potential of Women's theatre today.The authors explore a range of different approaches to the languages of theatre, including translation and interpretation of the art form, along with languages, performance work, body language and gesture. 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