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024 7 $a10.1007/978-3-319-25229-2
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035   $a(DE-He213)978-3-319-25229-2
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100   $a20151012d2016      u|         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aArt and Illusionists /$fby Nicholas Wade
205   $a1st ed. 2016.
210  1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2016.
215   $a1 online resource (388 p.)
225 1 $aVision, Illusion and Perception,$x2365-7472 ;$v1
300   $a"With 387 images."
311   $a3-319-25227-5 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Perspective Paradoxes -- Trompe l?oeil -- Mosaics and Tiling -- Impossible Figures -- Surrealism -- Geometrical Optical Illusions -- Ambiguity -- Hidden Images -- Word and Image -- Colour -- Contrast -- Faces -- Scintillation and Apparent Motion -- Moiré and Motion -- Stereoscopic Vision.
330   $aWe delight in using our eyes, particularly when puzzling over pictures. Art and illusionists is a celebration of pictures and the multiple modes of manipulating them to produce illusory worlds on flat surfaces. This has proved fascinating to humankind since the dawning of depiction. Art and illusionists is also a celebration of the ways we see pictures, and of our ability to distil meaning from arrays of contours and colours. Pictures are not only a source of fascination for artists, who produce them, but also for scientists, who analyse the perceptual effects they induce. Illusions provide the glue to cement the art and science of vision. Painters plumb the art of observation itself whereas scientists peer into the processes of perception. Both visual artists and scientists have produced patterns that perplex our perceptions and present us with puzzles that we are pleased to peruse. Art and illusionists presents these two poles of pictorial representation as well as presenting novel ?perceptual portraits? of the artists and scientists who have augmented the art of illusion. The reader can experience the paradoxes of pictures as well as producing their own by using the stereoscopic glasses enclosed and the transparent overlay for making dynamic moiré patterns.
410  0$aVision, Illusion and Perception,$x2365-7472 ;$v1
606   $aSignal processing
606   $aImage processing
606   $aSpeech processing systems
606   $aPopular works
606   $aArts
606   $aCognitive psychology
606   $aGraphic design
606   $aComputational intelligence
606   $aSignal, Image and Speech Processing$3https://scigraph.springernature.com/ontologies/product-market-codes/T24051
606   $aPopular Science, general$3https://scigraph.springernature.com/ontologies/product-market-codes/Q00007
606   $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000
606   $aCognitive Psychology$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20060
606   $aGraphic Design$3https://scigraph.springernature.com/ontologies/product-market-codes/K19010
606   $aComputational Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/T11014
615  0$aSignal processing.
615  0$aImage processing.
615  0$aSpeech processing systems.
615  0$aPopular works.
615  0$aArts.
615  0$aCognitive psychology.
615  0$aGraphic design.
615  0$aComputational intelligence.
615 14$aSignal, Image and Speech Processing.
615 24$aPopular Science, general.
615 24$aArts.
615 24$aCognitive Psychology.
615 24$aGraphic Design.
615 24$aComputational Intelligence.
676   $a620
700   $aWade$b Nicholas$4aut$4http://id.loc.gov/vocabulary/relators/aut$0761378
906   $aBOOK
912   $a9910254208703321
996   $aArt and Illusionists$91541528
997   $aUNINA