LEADER 04217nam  22007935  450 
001 9910254185403321
005 20200704014956.0
010   $a3-319-25739-0
024 7 $a10.1007/978-3-319-25739-6
035   $a(CKB)3780000000094069
035   $a(SSID)ssj0001584586
035   $a(PQKBManifestationID)16262827
035   $a(PQKBTitleCode)TC0001584586
035   $a(PQKBWorkID)14866148
035   $a(PQKB)10834238
035   $a(DE-He213)978-3-319-25739-6
035   $a(MiAaPQ)EBC6303562
035   $a(MiAaPQ)EBC5587208
035   $a(Au-PeEL)EBL5587208
035   $a(OCoLC)1066178903
035   $a(PPN)190529997
035   $a(EXLCZ)993780000000094069
100   $a20151124d2016      u|         0
101 0 $aeng
135   $aurnn|008mamaa
181   $ctxt
182   $cc
183   $acr
200 10$aDance Notations and Robot Motion /$fedited by Jean-Paul Laumond, Naoko Abe
205   $a1st ed. 2016.
210  1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2016.
215   $a1 online resource (X, 430 p. 268 illus., 100 illus. in color.) 
225 1 $aSpringer Tracts in Advanced Robotics,$x1610-7438 ;$v111
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a3-319-25737-4 
330   $aHow and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others.
410  0$aSpringer Tracts in Advanced Robotics,$x1610-7438 ;$v111
606   $aRobotics
606   $aAutomation
606   $aBiomedical engineering
606   $aComputational intelligence
606   $aSports sciences
606   $aArtificial intelligence
606   $aRobotics and Automation$3https://scigraph.springernature.com/ontologies/product-market-codes/T19020
606   $aBiomedical Engineering and Bioengineering$3https://scigraph.springernature.com/ontologies/product-market-codes/T2700X
606   $aComputational Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/T11014
606   $aSport Science $3https://scigraph.springernature.com/ontologies/product-market-codes/L29010
606   $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000
615  0$aRobotics.
615  0$aAutomation.
615  0$aBiomedical engineering.
615  0$aComputational intelligence.
615  0$aSports sciences.
615  0$aArtificial intelligence.
615 14$aRobotics and Automation.
615 24$aBiomedical Engineering and Bioengineering.
615 24$aComputational Intelligence.
615 24$aSport Science .
615 24$aArtificial Intelligence.
676   $a629.892
702   $aLaumond$b Jean-Paul$4edt$4http://id.loc.gov/vocabulary/relators/edt
702   $aAbe$b Naoko$4edt$4http://id.loc.gov/vocabulary/relators/edt
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910254185403321
996   $aDance Notations and Robot Motion$91756525
997   $aUNINA