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200 10$aLanguage and Manipulation in House of Cards$b[electronic resource] $eA Pragma-Stylistic Perspective /$fby Sandrine Sorlin
205   $a1st ed. 2016.
210  1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016.
215   $a1 online resource (XIII, 267 p. 14 illus., 11 illus. in color.) 
311   $a1-137-55847-4 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $aChapter 1 Power and (fictional) politics -- Chapter 2 Macrostructure and linguistic characterisation -- Chapter 3 Concealing, distorting and creating reality -- Chapter 4 Manipulative moves: Between persuasion and coercion -- Chapter 5 The art of winning over through face-work: success and failure -- Chapter 6 Aesthetic manipulation -- Chapter 7 Concluding remarks: Reciprocation and (im)politeness.
330   $aThis book is to date the first monograph-length study of the popular American political TV series House of Cards. It proposes an encompassing analysis of the first three seasons from the unusual angles of discourse and dialogue. The study of the stylistic idiosyncrasies of the ruthless main protagonist, Frank Underwood, is completed by a pragmatic and cognitive approach exposing the main characters? manipulative strategies to win over the other. Taking into account the socio-cultural context and the specificities of the TV medium, the volume focuses on the workings of interaction as well as the impact of the direct address to the viewer. The book critically uses the latest theories in pragmatics and stylistics in its attempt at providing a pragma-rhetorical theory of manipulation. Sandrine Sorlin is Professor of English language and linguistics at Aix-Marseille University and specialises in stylistics and pragmatics. She is a member of the LERMA research team and a Fellow of the Institut Universitaire de France (IUF). She is also the current chair of the French society for English stylistics (Société de Stylistique Anglaise).
606   $aCognitive grammar
606   $aLanguage and languages?Style
606   $aMotion pictures and television
606   $aArts
606   $aPragmatics
606   $aCommunication
606   $aSociology
606   $aCognitive Linguistics$3https://scigraph.springernature.com/ontologies/product-market-codes/N58000
606   $aStylistics$3https://scigraph.springernature.com/ontologies/product-market-codes/N56000
606   $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000
606   $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000
606   $aPragmatics$3https://scigraph.springernature.com/ontologies/product-market-codes/N54000
606   $aMedia Research$3https://scigraph.springernature.com/ontologies/product-market-codes/X29000
615  0$aCognitive grammar.
615  0$aLanguage and languages?Style.
615  0$aMotion pictures and television.
615  0$aArts.
615  0$aPragmatics.
615  0$aCommunication.
615  0$aSociology.
615 14$aCognitive Linguistics.
615 24$aStylistics.
615 24$aScreen Studies.
615 24$aArts.
615 24$aPragmatics.
615 24$aMedia Research.
676   $a410.1835
700   $aSorlin$b Sandrine$4aut$4http://id.loc.gov/vocabulary/relators/aut$01064870
906   $aBOOK
912   $a9910253340603321
996   $aLanguage and Manipulation in House of Cards$92541320
997   $aUNINA