LEADER 04113nam 2200517 450 001 9910153366903321 005 20190826145055.0 024 7 $a10.1163/9789004335493 035 $a(CKB)3710000000951473 035 $a(MiAaPQ)EBC4750773 035 $a 2016043651 035 $a(nllekb)BRILL9789004335493 035 $a(PPN)224900145 035 $a(EXLCZ)993710000000951473 100 $a20161209h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aBrill's companion to the reception of classics in international modernism and the avant-garde /$fedited by Adam J. Goldwyn and James Nikopoulos 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2017. 210 4$d©2017 215 $a1 online resource (332 pages) 225 1 $aBrill's Companions to Classical Reception,$x2213-1426 ;$vVolume 9 311 $a90-04-27650-5 311 $a90-04-33549-8 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tPreliminary Material -- $tIntroduction: Modernist Studies at the Crossroads of Classical Reception, Seferis Reads Eliot and Cavafy /$rAdam J. Goldwyn and James Nikopoulos -- $tThe Female Colossus in the New World: Innovations on a Classical Motif in José Martí?s Modernismo /$rTyler Fisher and Jenni Lehtinen -- $tEducating the ?Perfect Imagist?: Greek Literature and Classical Scholarship in the Poetry of H. D. /$rBryan Brinkman and Bartholomew Brinkman -- $tCreating the Modern Rhapsode: The Classics as World Literature in Ezra Pound?s Cantos /$rAdam J. Goldwyn -- $tFrom Ithaca to Magna Graecia, Icaria and Hyperborea ? Some Aspects of the Classical Tradition in the Serbian Avant-Garde /$rBojan Jovi? -- $tGods, Heroes, and Myths: The Use of Classical Imagery in Spanish Avant-Garde Prose /$rJuan Herrero-Senés -- $tThe Classical Ideal in Fernando Pessoa /$rKenneth David Jackson -- $t?Ulysses? Island?: Nóstos as Exile in Salvatore Quasimodo?s Poetry /$rErnesto Livorni -- $tJean Cocteau, Orphée, and the Shock of the Old /$rDavid Hammerbeck -- $tThe Classical Past and ?The History of Ourselves?: Laura Riding?s Trojan Woman /$rAnett Jessop -- $tPlatonic Eros and ?Soul-Leading? in C. S. Lewis /$rSamuel Baker -- $tThe Heideggerian Origins of a Post-Platonist Plato /$rWilliam H. F. Altman -- $tAlbert Camus? Hellenic Heart, between Saint Augustine and Hegel /$rMatthew Sharpe -- $tA Modernist Poet Alludes to an Ancient Historian: George Seferis and Thucydides /$rPolina Tambakaki -- $tThe Wisdom of Myth: Eliot?s ?Ulysses, Order, and Myth? /$rJames Nikopoulos -- $tIndex. 330 $aBrill?s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art. 410 0$aBrill's companions to classical reception ;$vVolume 9. 606 $aLiterature$xClassical influences 606 $aCivilization, Classical, in literature 608 $aElectronic books. 615 0$aLiterature$xClassical influences. 615 0$aCivilization, Classical, in literature. 676 $a809.9142 702 $aGoldwyn$b Adam J. 702 $aNikopoulos$b James 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910153366903321 996 $aBrill's companion to the reception of classics in international modernism and the avant-garde$91759809 997 $aUNINA LEADER 02816nam 22008055 450 001 9910253335203321 005 20240923174309.0 010 $a9781137407573 010 $a1137407573 024 7 $a10.1007/978-1-137-40757-3 035 $a(CKB)3710000000517076 035 $a(EBL)4096828 035 $a(SSID)ssj0001579966 035 $a(PQKBManifestationID)16259935 035 $a(PQKBTitleCode)TC0001579966 035 $a(PQKBWorkID)14861690 035 $a(PQKB)10639882 035 $a(DE-He213)978-1-137-40757-3 035 $a(MiAaPQ)EBC4096828 035 $a(Perlego)3488614 035 $a(EXLCZ)993710000000517076 100 $a20160302d2016 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt Crime $eTerrorists, Tomb Raiders, Forgers and Thieves /$fedited by Noah Charney 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (393 p.) 300 $aDescription based upon print version of record. 311 08$a9781349553709 311 08$a1349553700 311 08$a9781137407566 311 08$a1137407565 320 $aIncludes bibliographical references and index. 327 $aForger : fakes and forgeries -- Terrorist : policing, investigation and terrorism -- Tomb raider : archaeology and antiquities looting. 330 $aSince the Second World War, art crime has shifted from a relatively innocuous, often ideological crime, into a major international problem, considered by some to be the third-highest grossing criminal trade worldwide. This rich volume features essays on art crime by the most respected and knowledgeable experts in this interdisciplinary subject. 606 $aCulture 606 $aCrime$xSociological aspects 606 $aArts 606 $aCriminology 606 $aCriminal law 606 $aSociology 606 $aSociology of Culture 606 $aCrime and Society 606 $aArts 606 $aCriminology 606 $aCriminal Law and Criminal Procedure Law 606 $aSociology 615 0$aCulture. 615 0$aCrime$xSociological aspects. 615 0$aArts. 615 0$aCriminology. 615 0$aCriminal law. 615 0$aSociology. 615 14$aSociology of Culture. 615 24$aCrime and Society. 615 24$aArts. 615 24$aCriminology. 615 24$aCriminal Law and Criminal Procedure Law. 615 24$aSociology. 676 $a364.16/287 702 $aCharney$b Noah$4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aAssociation for Research into Crimes against Art, 906 $aBOOK 912 $a9910253335203321 996 $aArt Crime$92546612 997 $aUNINA