LEADER 05942nam 22006014a 450 001 9910252758103321 005 20080321091817.0 010 $a1-283-06278-X 010 $a9786613062789 010 $a0-8223-2119-X 024 7 $a10.1515/9780822382492 035 $a191222383 035 $a(MiAaPQ)EBC1167740 035 $a(DE-B1597)553657 035 $a(DE-B1597)9780822382492 035 $a(OCoLC)1125526672 035 $a(CKB)4230000000000131 035 $a(EXLCZ)994230000000000131 100 $a20080125d1998 uy 0 101 0 $aeng 135 $aurun#|||uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe cultural life of intellectual properties $eauthorship, appropriation, and the law /$fRosemary J. Coombe 210 $aDurham $cDuke University Press$d1998 215 $a480p 225 1 $aPost-contemporary interventions 311 $a0-8223-2103-3 311 $a0-8223-2119-X 311 $a0-8223-8249-0 320 $aIncludes bibliographical references (p. [398]-443) and index. 327 $aIntroduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. 330 $aLogos, trademarks, national insignia, brand names, celebrity images, design patents, and advertising texts are vibrant signs in a consumer culture governed by a regime of intellectual property laws. In The Cultural Life of Intellectual Properties, professor of law and cultural anthropologist Rosemary J. Coombe brings an illuminating ethnographic approach to an analysis of authorship and the role law plays in shaping the various meanings that animate these protected properties in the public sphere.Although such artifacts are ubiquitous in contemporary culture, little attention has been paid to the impact of intellectual property law in everyday life or to how ownership of specific intellectual properties is determined and exercised. Drawing on a wide range of cases, disputes, and local struggles, Coombe examines these issues and dismantles the legal assumption that the meaning and value of a text or image is produced exclusively by an individual author or that authorship has a single point of origin. In the process, she examines controversies that include the service of turbanned Sikhs in the Royal Canadian Mounted Police and the use of the term Olympic in reference to the proposed gay Olympic Games. Other chapters discuss the appropriation of such celebrity images as the Marx brothers, Judy Garland, Dolly Parton, James Dean, and Luke Skywalker; the conflict over team names such as the Washington Redskins; and the opposition of indigenous peoples to stereotypical Native American insignia proffered by the entertainment industry. Ultimately, she makes a case for redefining the political in commodified cultural environments.Significant for its insights into the political significance of current intellectual property law, this book also provides new perspectives on debates in cultural anthropology, cultural studies, and political theory. It will therefore interest both a wide scholarly and a general audience. 410 0$ae-Duke books scholarly collection. 410 0$aPost-contemporary interventions. 606 $aIntellectual property$zUnited States 606 $aCritical legal studies$zUnited States 606 $aPopular culture$zUnited States 607 $aUnited States$xCultural policy 615 0$aIntellectual property 615 0$aCritical legal studies 615 0$aPopular culture 676 $a346.7304/8 676 $a346.73048 700 $aCoombe$b Rosemary J$0144895 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910252758103321 996 $aCultural life of intellectual properties$9507766 997 $aUNINA