LEADER 00756nam2 22002291i 450 001 990007810080403321 035 $a000781008 035 $aFED01000781008 035 $a(Aleph)000781008FED01 035 $a000781008 100 $a20030801d--------km-y0itay50------ba 200 1 $a<>offerte fuori sede e a distanza distrumenti e servizi finanziari dopo ild.lgs. 23 luglio 1996, n.415 pp.191-214 463 0$1001000777218 610 0 $a 701 1$aRabitti Bedogni,$bCarla$0117528 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007810080403321 959 $aDDCP 996 $aOfferte fuori sede e a distanza distrumenti e servizi finanziari dopo ild.lgs. 23 luglio 1996, n.415 pp.191-214$9662360 997 $aUNINA DB $aGEN01 LEADER 03413oam 22004694a 450 001 9910247446603321 005 20230621135402.0 024 7 $a10.21983/P3.0155.1.00 035 $a(CKB)4100000001283591 035 $a(OAPEN)1004624 035 $a(OCoLC)1188992353 035 $a(MdBmJHUP)muse87205 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29930 035 $a(oapen)doab29930 035 $a(EXLCZ)994100000001283591 100 $a20200729e20202016 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Republic of Cthulhu: Lovecraft, the Weird Tale, and Conspiracy Theory$fby Eric Wilson 210 $aBrooklyn, NY$cpunctum books$d2016 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (183 pages) $cillustrations; PDF, digital file(s) 311 08$aPrint version: 0998237566 320 $aIncludes bibliographical references (pages 173-183). 327 $aGods and monsters -- The criminology of the nameless : parapolitics and Ale?theia -- From the sublime : "The call of Cthulhu" (1926) -- To the grotesque : "The horror at Red Hook" (1925) -- N. Lat. 40.7117°, W. Long. 74.0125° 08:46-09:03 AM, September 11, 2001 -- Conclusion : the doom that came to humanism. 330 $aIf parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification.Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance of subversive literature--in this case, cosmic horror and the weird tale--to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory--the sublime and the grotesque. Not only does Lovecraft's oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics. 606 $aStructuralism (Literary analysis) 606 $aConspiracy theories in literature 608 $aElectronic books. 615 0$aStructuralism (Literary analysis) 615 0$aConspiracy theories in literature. 700 $aWilson$b Eric Michael$f1961-$0894451 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910247446603321 996 $aThe Republic of Cthulhu: Lovecraft, the Weird Tale, and Conspiracy Theory$92189860 997 $aUNINA