LEADER 03081oam 22005174a 450 001 9910245737403321 005 20240424225728.0 024 7 $a10.21983/P3.0164.1.00 035 $a(CKB)4100000001115722 035 $a(OAPEN)1004632 035 $a(OCoLC)1183453281 035 $a(MdBmJHUP)muse87208 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34854 035 $a(EXLCZ)994100000001115722 100 $a20200729e20202016 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEveryday Cinema: The Films of Marc Lafia$f[Marc Lafia] 210 $aBrooklyn, NY$cpunctum books$d2017 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (289 pages) $cillustrations; PDF, digital file(s) 300 $aIncludes index. 311 $a0-9985318-0-4 327 $aFilms. Exploding Oedipus -- Confessions of an image -- Permutations -- Talk show -- Harry, Zelda and Antoinette -- Love and art -- My double my self -- Paradise -- Revolution of everyday life -- Hi, how are you guest 10497 -- Twenty-seven -- Interviews. Jisu Song (TriBeCa Film Institute) -- Peter Duhon (Anthology Film Archives) -- Kevin Farrington (Mubi) -- Daniel Coffeen (The Aesthetes) -- Lior Rosenfeld (191). 330 $aEveryday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27) Lafia probes what it is to construct an image, to forge systems of representation, to see and represent ourselves. His work has been defined as a cinema of emergence, a cinema of the event, in which the very act of ubiquitous recording creates something new.Everyday Cinema is comprised of two parts, the first an in-depth look at his films and installations, project by project, providing background on how they came about, Lafia's process and ideas. The second part features selected interviews and over two hundred film stills wherein Lafia puts forward a new sense of the possibility of the cinema. As we all relentlessly record ourselves and are recorded, we become part of the cinematic fabric of life, part of a spectacle of which we are both constituent and constitutive. This is what Lafia sets out to capture and examine.With a Preface by Daniel Coffeen. 606 $aFilm theory & criticism$2bicssc 608 $aElectronic books. 610 $afilm studies 610 $anew media 610 $avideo 610 $arepresentation 610 $aMarc Lafia 615 7$aFilm theory & criticism 676 $a791.4302/3092 700 $aLafia$b Marc$f1955-$0898029 702 $aCoffeen$b Daniel 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910245737403321 996 $aEveryday Cinema: The Films of Marc Lafia$92180510 997 $aUNINA