LEADER 01530nas 2200529-a 450 001 9910231853203321 005 20240116213021.0 011 $a1466-1799 035 $a(DE-599)ZDB1476081-2 035 $a(OCoLC)39501266 035 $a(CKB)954925254123 035 $a(CONSER)--2006233341 035 $a(EXLCZ)99954925254123 100 $a19980717a19609999 s-- a 101 0 $aeng 135 $aurmnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBritish poultry science 210 $a[Abingdon, Oxfordshire] $cCarfax International Publishers$d[1998]- 300 $aRefereed/Peer-reviewed 300 $aPublished: [Philadelphia, PA] : Taylor & Francis, <2006-> 311 $a0007-1668 531 $aBR POULT SCI 531 $aBRIT POULTRY SCI 531 $aBR POULT SC 531 $aBR. POULT. SCI 531 1 $aBr. poult. sci. 606 $aPoultry$vPeriodicals 606 $aPoultry industry$vPeriodicals 606 $aPoultry Farming$2ebps 606 $aPoultry Industry$2ebps 606 $aPoultry$2fast$3(OCoLC)fst01073919 606 $aPoultry industry$2fast$3(OCoLC)fst01074025 608 $aPeriodicals.$2fast 615 0$aPoultry 615 0$aPoultry industry 615 7$aPoultry Farming. 615 7$aPoultry Industry. 615 7$aPoultry. 615 7$aPoultry industry. 676 $a636.5 906 $aJOURNAL 912 $a9910231853203321 996 $aBritish poultry science$9798693 997 $aUNINA LEADER 04698nam 22006013 450 001 9910838179403321 005 20251116152225.0 010 $a9783111343556 010 $a3111343553 024 7 $a10.1515/9783111343556 035 $a(MiAaPQ)EBC30883052 035 $a(Au-PeEL)EBL30883052 035 $a(DE-B1597)665514 035 $a(DE-B1597)9783111343556 035 $a(OCoLC)1409676647 035 $a(CKB)28842402900041 035 $a(EXLCZ)9928842402900041 100 $a20231115d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aManuscripts and Performances in Religions, Arts, and Sciences 205 $a1st ed. 210 1$aBerlin/Boston :$cWalter de Gruyter GmbH,$d2023. 210 4$dİ2024. 215 $a1 online resource (526 pages) 225 1 $aStudies in Manuscript Cultures Series ;$vv.36 311 08$aPrint version: Brita, Antonella Manuscripts and Performances in Religions, Arts, and Sciences Berlin/Boston : Walter de Gruyter GmbH,c2023 327 $tFrontmatter --$tContents --$tIntroduction --$tManuscripts for Performances --$tMaking and Using Manuscripts in Theatre: The Material Dynamics of Two Nineteenth- Century Nathan der Weise Prompt Books --$tPerformative Aspects of Assyrian Celestial Divination and Babylonian Astronomical Diaries --$tPocket-Sized Liturgy: A Fifteenth-Century Breviary from the Abbey of San Zeno Maggiore --$tPerforming Multiplications Beyond the Text of Some Sanskrit Mathematical Commentaries --$tA Bibliophile Performing Eclipse Computations: Lewis Caerleon and His Notebook --$tManuscripts in Performances --$tMedieval Music Rolls, Scribes and Performance: The Extant Rolls of Thirteenth- Century English Polyphony --$tAstronomical Computation as a Performance: Determining Planetary Positions with the Manuscript Erfurt, Angermuseum, 3134 --$tThe 'Orchestration' of Manuscripts: Ottonian Gospel Books from Bamberg Cathedral and Their Liturgical Use --$tReading the Psalms: The Relationship between Visual Organisation and Ritual in Medieval Latin Psalter Manuscripts --$tThe Use of Anisong Manuscripts at Funerals in Northern Thailand and Laos --$tManuscripts as Performers --$tThe Palace as 'Theatre of Knowledge': Performing with Manuscripts in the Alfonsine Court --$tPerforming (with) Multiple-Text Manuscripts in the Making of the Ethiopian Sainthood: Matter and Devotion in Ethiopia between the Fourteenth Century and the Present Time --$tPerforming Renga with Manuscripts --$tLiturgical Practice in the Light of Medieval Liturgical Books --$tObjects or Actors? Medieval Latin Manuscripts in Ritual Performances --$tContributors --$tIndex of Written Artefacts 330 $aThroughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions.The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume's three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience.The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors' respective fields. 410 0$aStudies in Manuscript Cultures Series 606 $aLITERARY CRITICISM / General$2bisacsh 610 $acalculations. 610 $aceremony. 610 $ahandwritten artefacts. 610 $aperformance. 615 7$aLITERARY CRITICISM / General. 676 $a000 700 $aBrita$b Antonella$0704041 701 $aKarolewski$b Janina$01440070 701 $aHusson$b Matthieu$f1978-$01780240 701 $aMiolo$b Laure$f1988-$01780239 701 $aWimmer$b Hanna$01440071 712 02$aUniversita?t Hamburg, 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910838179403321 996 $aManuscripts and Performances in Religions, Arts, and Sciences$94304026 997 $aUNINA