LEADER 03615nam 2200661 450 001 9910796720503321 005 20230814223037.0 010 $a90-04-36759-4 024 7 $a10.1163/9789004367593 035 $a(CKB)4100000004840441 035 $a(MiAaPQ)EBC5557361 035 $a(OCoLC)1039238068 035 $a(nllekb)BRILL9789004367593 035 $a(EXLCZ)994100000004840441 100 $a20210425d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHieroglyph, emblem, and Renaissance pictography /$fby Ludwig Volkmann ; translated and edited by Robin Raybould 210 1$aLeiden ;$aBoston :$cBrill,$d2018. 215 $a1 online resource (xxiv, 307 pages) $cillustrations 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vvolume 281 225 1 $aBrill's studies on art, art history, and intellectual history ;$vvolume 28 311 $a90-04-36093-X 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Copyright page -- Translator's Preface -- List of Illustrations -- Author's Introduction -- The Hieroglyphics of the Italian Humanists -- Emblematics and Its Derivatives: Imprese and Devices -- Hieroglyphics North of the Alps -- Resonances from the Seventeenth and Eighteenth Centuries -- Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten) -- Back Matter -- Bibliography. 330 $aRobin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. 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