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035   $a(CKB)3810000000213692
035   $a(OAPEN)637220
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68258
035   $a(EXLCZ)993810000000213692
100   $a20181204d2017      uy              
101 0 $aeng
135   $aurmu#---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe field of musical improvisation /$fMarcel Cobussen
210   $cLeiden University Press$d2017
210  1$a[Leiden] :$cLeiden University Press,$d2017.
215   $a1 online resource (116 pages)
311 08$a9400602634 
330   $aThe central aim of this book is to present a new approach to ?the field of musical improvisation? (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are ?at work? than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural backgrounds, technology, and the like all play a significant role. However, not all of these actants determine every improvisation to the same extent; some are more prominent and active than others in certain situations (periods, styles, cultures, as well as more singular circumstances). Therefore, the FMI theory will prove to be more than a theory dealing with improvisation ?in general?. Rather, FMI emphasizes singularity: each improvisation thus yields a different network of actants and interactions, a unique configuration or assembly.
606   $aTheory of music & musicology$2bicssc
610   $acomplexity theories
610   $anew materialism
610   $amusic philosophy
610   $amusic ecology
615  7$aTheory of music & musicology
700   $aCobussen$b Marcel$0953396
801  2$bUkMaJRU
906   $aBOOK
912   $a9910220559003321
996   $aThe field of musical improvisation$92155396
997   $aUNINA