LEADER 02519nam 2200673 450 001 996335794603316 005 20191118111955.0 010 $a0-7556-0464-4 010 $a1-282-52814-9 010 $a9786612528149 010 $a0-85771-477-5 010 $a600-00-0632-2 010 $a1-4175-1976-2 024 7 $a10.5040/9780755604647 035 $a(CKB)111090425052464 035 $a(EBL)677085 035 $a(OCoLC)710975948 035 $a(SSID)ssj0000203438 035 $a(PQKBManifestationID)11199570 035 $a(PQKBTitleCode)TC0000203438 035 $a(PQKBWorkID)10279443 035 $a(PQKB)10194121 035 $a(MiAaPQ)EBC677085 035 $a(CaBNVSL)mat55604647 035 $a(OCoLC)191932090 035 $a(CaBNVSL)9780755604647 035 $a(EXLCZ)99111090425052464 100 $a20191118h20192001 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMirror /$fNatasha Synessios 205 $aFirst edition. 210 1$aLondon [England] :$cI.B. Tauris & Co. Ltd,$d2001. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (135 p.) 225 1 $aKINOfiles film companions ;$v6 300 $aDescription based upon print version of record. 311 $a1-86064-521-6 320 $aIncludes bibliographical references (pages 119-120). 327 $aCover; Contents; Illustrations; Acknowledgements; Production Credits; Note on Transliteration; 1. Introduction; 2. Mirror : A Production History; 3. Mirror: An Analysis; 4. The Reception of the Film; Further Reading 330 $aAt the centre of Tarkovsky's oeuvre, Mirror is his most complex and autobiographical film. It reconstructs and records the iconic memories and deep emotional impressions in the life of an individual, a nation and an era. Audience reaction to Mirror was overwhelming and it came to represent a watershed in many people's lives. It remains to this day most Russians' favourite Tarkovsky film. 410 0$aKINOfiles film companions ;$v6. 606 $aMotion pictures 606 $aFilm scripts & screenplays$2bicssc 615 0$aMotion pictures. 615 7$aFilm scripts & screenplays 676 $a791.4372 686 $aAP 51340$2rvk 700 $aSynessios$b Natasha$01013695 801 0$bCOO 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a996335794603316 996 $aMirror$92358450 997 $aUNISA LEADER 04170oam 2200841I 450 001 9910220028103321 005 20190826145055.0 010 $a9789004332331 010 $a9004332332 024 7 $a10.1163/9789004332331 035 $a(CKB)3710000000886337 035 $a(OCoLC)965781361 035 $a(OCoLC)953708786$z(OCoLC)967530454 035 $a(nllekb)BRILL9789004332331 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37605 035 $a(MiAaPQ)EBC31218270 035 $a(Au-PeEL)EBL31218270 035 $a(oapen)doab37605 035 $a(EXLCZ)993710000000886337 100 $a20161209d2017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 10$aModes of philology in medieval South India /$fby Whitney Cox 205 $aFirst edition. 210 $cBrill$d2016 210 1$aLeiden ;$aBoston :$cBrill,$d[2017] 215 $a1 online resource (xii, 196 pages) $c2 illustrations 225 0 $aPhilological encounters monographs ;$vv. 1 311 08$a9789004331679 311 08$a9004331670 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Introduction: Towards a History of Indic Philology -- Textual Pasts and Futures -- Bearing the N??yaveda: ??rad?tanaya?s Bh?vaprak??ana -- Ve?ka?an?tha and the Limits of Philological Argument -- Flowers of Language: Mahe?var?nanda?s Mah?rthamañjar? -- Conclusions: Philology as Politics, Philology as Science -- Bibliography -- Index. 330 $aPhilology was everywhere and nowhere in classical South Asia. While its civilizations possessed remarkably sophisticated tools and methods of textual analysis, interpretation, and transmission, they lacked any sense of a common disciplinary or intellectual project uniting these; indeed they lacked a word for ?philology? altogether. Arguing that such pseudepigraphical genres as the Sanskrit pur??as and tantras incorporated modes of philological reading and writing, Cox demonstrates the ways in which the production of these works in turn motivated the invention of new kinds of ??stric scholarship. Combining close textual analysis with wider theoretical concerns, Cox traces this philological transformation in the works of the dramaturgist ??rad?tanaya, the celebrated Vai??ava poet-theologian Ve?ka?an?tha, and the maverick ?aiva mystic Mahe?var?nanda. 410 0$aPhilological Encounters Monographs$v01. 606 $aPhilology, Modern$xResearch$zIndia, South 606 $aManuscripts, Sanskrit$zIndia, South$xHistory 606 $aDiscourse analysis, Literary$zIndia, South 606 $aLanguage and languages$xStudy and teaching$zIndia, South 606 $aSanskrit language$xHistory and criticism 606 $aLiterature and society$zIndia$xHistory 606 $aDiscourse analysis, Literary$2fast 606 $aLanguage and languages$xStudy and teaching$2fast 606 $aLiterature and society$2fast 606 $aManuscripts, Sanskrit$2fast 606 $aPhilology, Modern$xResearch$2fast 606 $aSanskrit language$2fast 607 $aIndia$2fast 607 $aSouth India$2fast 608 $aCriticism, interpretation, etc.$2fast 608 $aHistory.$2fast 615 0$aPhilology, Modern$xResearch 615 0$aManuscripts, Sanskrit$xHistory. 615 0$aDiscourse analysis, Literary 615 0$aLanguage and languages$xStudy and teaching 615 0$aSanskrit language$xHistory and criticism. 615 0$aLiterature and society$xHistory. 615 7$aDiscourse analysis, Literary. 615 7$aLanguage and languages$xStudy and teaching. 615 7$aLiterature and society. 615 7$aManuscripts, Sanskrit. 615 7$aPhilology, Modern$xResearch. 615 7$aSanskrit language. 676 $a491/.1 700 $aCox$b Whitney$0973406 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910220028103321 996 $aModes of philology in medieval South India$92214571 997 $aUNINA