LEADER 03686 am 22004453u 450 001 9910220028003321 005 20190826145055.0 010 $a90-04-32976-5 024 7 $a10.1163/9789004329768 035 $a(CKB)3710000000894492 035 $a(OCoLC)953708636 035 $a(nllekb)BRILL9789004329768 035 $a(EXLCZ)993710000000894492 100 $a20160716d2016 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aDramatic Experience $eThe Poetics of Drama and the Early Modern Public Spheres 210 1$cBrill Academic Pub$d2016. 215 $a1 online resource 311 $a90-04-32975-7 327 $tPreliminary Material -- $tIntroduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- $t1 Opening Spaces for the Reading Audience: Fernando de Rojas?s Celestina (1499/1502) and Niccolò Machiavelli?s Mandragola (1518) /$rSven Thorsten Kilian -- $t2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools? Play in the Italian Renaissance Comedy Gl?Ingannati (1532) /$rKatja Gvozdeva -- $t3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri?s and Ottavio Rinuccini?s Euridice (1600) /$rDéborah Blocker -- $t4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court /$rWendy Heller -- $t5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi?s L?Amore delle tre melarance /$rTatiana Korneeva -- $t6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France /$rLogan J. Connors -- $t7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) /$rKirill Ospovat -- $t8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen?s Martyr Drama in Context /$rNigel Smith -- $t9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre /$rHans Rudolf Velten -- $t10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol /$rToni Bernhart -- $t11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603?1868) /$rStanca Scholz-Cionca -- $tIndex. 330 $aIn Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience ? among both theatregoers and readers of drama ? contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ?public sphere(s)?? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ?public? existed in a variety of forms, locations, and cultures across early modern Europe ? and in Asia. 410 0$aDrama and Theatre in Early Modern Europe$v6. 606 $aTheater 606 $aTheater audiences 615 0$aTheater. 615 0$aTheater audiences. 676 $a792.01/3 702 $aGvozdeva$b Katja$f1965- 702 $aKorneeva$b Tatiana 702 $aOspovat$b Kirill 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910220028003321 996 $aDramatic Experience$92133235 997 $aUNINA