LEADER 07129oam 22006734a 450 001 9910220006703321 005 20230621140712.0 010 $a90-485-2710-4 024 7 $a10.1515/9789048527106 035 $a(CKB)3800000000216633 035 $a(MiAaPQ)EBC5400985 035 $a(DE-B1597)502541 035 $a(OCoLC)1038495570 035 $a(DE-B1597)9789048527106 035 $a(OCoLC)1111591254 035 $a(MdBmJHUP)muse76482 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26010 035 $a(EXLCZ)993800000000216633 100 $a20161026h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aEarly Film Theories in Italy, 1896-1922$fedited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei 210 $cAmsterdam University Press$d2017 210 1$aAmsterdam :$cAmsterdam University Press,$d2017. 210 4$d©2017. 215 $a1 online resource (516 pages) 225 0 $aFilm theory in media history 311 $a90-8964-855-0 320 $aIncludes bibliographical references (pages 490-504) and indexes. 327 $tFrontmatter -- $tTable of Contents -- $tThe Throb of the Cinematograph / $rCasetti, Francesco -- $tSection 1 -- $tCinema and Modern Life / $rCasetti, Francesco -- $tCinematography / $rEdipi -- $tThe Philosophy of Cinematograph / $rPapini, Giovanni -- $tSummertime Spectacles: The Cinema / $rGaio -- $tWhy I Love the Cinema / $rMaffii, Maffio -- $tThe Movie Theatre Audience / $rFossi, Giovanni -- $tThe Art of Celluloid / $rCrainquebille -- $tThe Triumph of the Cinema / $rCanudo, Ricciotto -- $tThe Death of the Word / $rMartini, Fausto Maria -- $tSection 2 -- $tFilm in Transition / $rCasetti, Francesco -- $tThe Museum of the Fleeting Moment / $rd'Ambra, Lucio -- $tThe Woman and the Cinema / $rHaydée -- $tDarkness and Intelligence / $rToddi, Emanuele -- $tA Spectatrix is Speaking to You / $rSerao, Matilde -- $tMotion Pictures in Provincial Towns / $rScaglione, Emilio -- $tCinematic Psychology / $rColi, Edoardo -- $tThe Cinematograph Doesn't Exist / $rd'Amico, Silvio -- $tThe Cinema: School of the Will and of Energy / $rBertinetti, Giovanni -- $tThe Close-up / $rOrsi, Alberto -- $tThe Soul of Titles / $rQuadrone, Ernesto -- $tSection 3 -- $tCinema at War / $rMazzei, Luca -- $tThe War, from Up Close / $rSalvaneschi, Nino -- $tThat Poor Cinema... / $rGiovannetti, Renato -- $tFamilies of Soldiers / $rLucatelli, Luigi -- $tWar for the Profit of Industry / $rGiovannetti, Renato -- $tThe War and Cinematograph / $rP.R., G. -- $tMax Linder Dies in The War / $rd'Ambra, Lucio -- $tCinema of War / $rProcida, Saverio -- $tSection 4 -- $tPolitics, Morality, Education / $rAlovisio, Silvio -- $tThe Motion Pictures and Education / $rOrano, Domenico -- $tThe Intuitive Method in Religious Education / $rCostetti, Romano -- $tThe Cinema and Its Influence on the Education of the People / $rAvellone, Giovanni Battista -- $tThe Cinematograph in the Schools / $rOrestano, Francesco -- $tSpeech at the People's Theatre / $rOrlando, Vittorio Emanuele -- $tCinema for the Cultivation of the Intellect / $rBuracci, Angelina -- $tEducational Cinema / $rFabietti, Ettore -- $tSection 5 -- $tFilm, Body, Mind / $rAlovisio, Silvio -- $tCollective Psychology / $rRossi, Pasquale -- $tAbout Some Psychological Observations Made During Film Screenings / $rPonzo, Mario -- $tConcerning the Effects of Film Viewing on Neurotic Individuals / $rd'Abundo, Giuseppe -- $tThe Ongoing Battle between Gesture and Word / $rPatrizi, Mariano Luigi -- $tThe Cinematograph in the Field of Mental Illness and Criminality: Notes / $rMasini, Mario Umberto / Vidoni, Giuseppe -- $tCinema and Juvenile Delinquency / $rPonzo, Mario -- $tSection 6 -- $tThe Aesthetic Side / $rAlovisio, Silvio / Mazzei, Luca -- $tProblems of Art: Expression and Movement in Sculpture / $rRicci, Corrado -- $tScenic Impressionism / $rLuciani, Sebastiano Arturo -- $tThe Aesthetics of Cinema / $rBellonci, Goffredo -- $tThe Poetics of Cinema / $rLuciani, Sebastiano Arturo -- $tManifesto for a Cinematic Revolution / $rBellonci, Goffredo -- $tTheatre and the Cinema / $rGramsci, Antonio -- $tThe Futurist Cinematography / $rMarinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- $tIn the Beginning Was Sex... / $rGramsci, Antonio -- $tRectangle-Film (25 x 19) / $rToddi, Emanuele -- $tThe Proscenium Arch of My Cinema / $rBragaglia, Anton Giulio -- $tMy Views on the Cinematograph / $rd'Ambra, Lucio -- $tMeditations in the Dark / $rBiancale, Michele -- $tSection 7 -- $tTheory in a Narrative Form / $rMazzei, Luca -- $tColour Film / $rTanfani, Roberto -- $tAt the Cinema / $rCortesi, Luigia -- $tA Phantom Pursued / $rLumbroso, Alberto -- $tMiopetti's Duel / $rBorelli, Aldo -- $tPamela-Films / $rGozzano, Guido -- $tFeature Film / $rVanzi, Pio -- $tMe, Rirì, and Love in Slippers / $rDoria, Luciano -- $tA Cinematic Performance / $rTozzi, Federigo -- $tLife, a Glass Theatre / $rdi San Secondo, Pier Maria Rosso -- $tThe Shears' Reflection / $rGozzano, Guido -- $tSources -- $tAuthor Biographies -- $tGeneral Bibliography -- $tAcknowledgements -- $tAbout the Editors -- $tIndex of Names -- $tIndex of Concepts -- $tIndex of Films 330 $aThis collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life. 410 0$aFilm theory in media history. 606 $aMotion pictures and the arts$zItaly 606 $aMotion pictures$xSocial aspects$zItaly 606 $aMotion pictures$zItaly$xAesthetics 606 $aMotion pictures$zItaly$xPhilosophy 606 $aMotion pictures$zItaly$xHistory 607 $aItaly$xIntellectual life$y20th century 608 $aElectronic books. 610 $aearly film theories, social impact of cinema, cinema and philosophy, cinema and psychology, cinema and war. 615 0$aMotion pictures and the arts 615 0$aMotion pictures$xSocial aspects 615 0$aMotion pictures$xAesthetics. 615 0$aMotion pictures$xPhilosophy. 615 0$aMotion pictures$xHistory. 676 $a791.430945 700 $aCasetti$b Francesco$4auth 702 $aMazzei$b Luca 702 $aAlovisio$b Silvio$f1968- 702 $aCasetti$b Francesco 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910220006703321 996 $aEarly Film Theories in Italy, 1896-1922$91999532 997 $aUNINA