LEADER 03087nam 2200445 450 001 9910220005203321 005 20230330140522.0 035 $a(CKB)3800000000216648 035 $a(NjHacI)993800000000216648 035 $a(EXLCZ)993800000000216648 100 $a20230330d1985 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre in the middle ages /$fHerman Braet, Johan Nowe?, Gilbert Tournoy 210 1$aLeuven, Belgium :$cLeuven University Press,$d[1985] 210 4$dİ1985 215 $a1 online resource (viii, 379 pages) $cillustrations 225 1 $aMediaevalia Lovaniensia 311 $a90-6186-175-6 320 $aIncludes bibliographical references and index. 327 $aActa est fabula : by way of preface -- Passio und Theater : zur dramatischen Struktur einiger Vorlagen Hrotsvits von Gandersheim -- W. Berschin -- Sacred drama and tragic realism in Hrotswitha's Paphnutius -- S. Sticca -- Simbologia e struttura drammatica nel Gallicanus e nel Pafnutius di Rosvita -- F. Bertini -- Die 'dramatische' Technik des Vitalis von Blois und sein Verha?ltnis zu seinen Quellen -- L. Braun -- Le fils et le fruit : le Jeu d'Adam entre la the?ologie et le mythe -- J.-P. Bordier -- The?a?tre et symbolisme au XIIIe sie?cle -- J. Ribard -- Le Jeu de Robin et Marion et l'ambigui?te? du symbolisme cha. 330 $aThe present volume offers a collection of studies intended to give an overall picture of the International Colloquium on Medieval Theatre organized by the Instituut voor Middeleeuwse Studies of the Katholieke Universiteit Leuven. The reader will probably remark upon the fact that studies on medieval drama are as flourishing and diversified as their object itself once was. From liturgical drama to pageant, from nativity play to mystery, from latin comedy to 'sottie', morality and farce, one discovers here the various aspects of an output that covers more than five centuries. This selection hopefully represents a cross-section of contemporary work in the field. As methods evolve and ways of reading change, the subject reveals itself as something for ever old and new. Thus a number of contributors emphasize a formal approach. Both the analysis of a dramatic production as a structured entity--from the larger viewpoint of scenic organization right down to the level of verse or even rime--and as an actual performance, continue to shed valuable light on the theatrical event in its generic and historical context. 410 0$aMediaevalia Lovaniensia. 606 $aDrama, Medieval 606 $aDrama, Medieval$xHistory and criticism 615 0$aDrama, Medieval. 615 0$aDrama, Medieval$xHistory and criticism. 676 $a808.82 700 $aBraet$b Herman$0169381 702 $aNowe?$b Johan 702 $aTournoy$b Gilbert 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910220005203321 996 $aTheatre in the middle ages$93086254 997 $aUNINA