LEADER 01822oas 2200637 a 450 001 9910219905003321 005 20251105213014.0 024 8 $aeb66529089 035 $a(DE-599)ZDB2552183-4 035 $a(OCoLC)610474755 035 $a(CONSER) 2011255303 035 $a(CKB)2670000000006392 035 $a(EXLCZ)992670000000006392 100 $a20100426a20099999 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aInternational online journal of educational sciences 210 $a[Esenler, Istanbul, Turkey] $cElaz?g? Asos Eg?itim Bilis?im Dan?s?manl?k Otomasyon Yay?nc?l?k Reklam San. ve Tic. Ltd.S?ti. (O?zcan Bayrak) 215 $a1 online resource (volumes) 300 $aRefereed/Peer-reviewed 311 08$a1309-2707 517 1 $aUluslararas? online eg?itim bilimleri dergisi 517 1 $aIOJES 606 $aEducation$vPeriodicals 606 $aEducation$zTurkey$vPeriodicals 606 $aEducation$2fast$3(OCoLC)fst00902499 607 $aTurkey$2fast$1https://id.oclc.org/worldcat/entity/E39PBJxmHG9jJjCTM3y4pFRqcP 608 $aPeriodicals.$2fast 608 $aPeriodicals.$2lcgft 615 0$aEducation 615 0$aEducation 615 7$aEducation. 686 $a5,3$2ssgn 686 $a370$a280$2zdbs 801 0$bSHS 801 1$bSHS 801 2$bGWDNB 801 2$bZCU 801 2$bCUS 801 2$bOCLCF 801 2$bOCLCO 801 2$bOCLCQ 801 2$bOCLCA 801 2$bSRU 801 2$bOCLCQ 801 2$bCUS 801 2$bU3W 801 2$bOCLCL 801 2$bOCLCQ 906 $aJOURNAL 912 $a9910219905003321 996 $aInternational online journal of educational sciences$91971110 997 $aUNINA LEADER 04897nam 22006615 450 001 9910747089803321 005 20251116152049.0 010 $a9783111072739 010 $a3111072738 024 7 $a10.1515/9783111072739 035 $a(CKB)27977178700041 035 $a(DE-B1597)641285 035 $a(DE-B1597)9783111072739 035 $a(MiAaPQ)EBC30622177 035 $a(Au-PeEL)EBL30622177 035 $a(OCoLC)1394872879 035 $a(EXLCZ)9927977178700041 100 $a20230808h20232023 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRestoration as Fabrication of Origins $eA Material and Political History of Italian Renaissance Art /$fed. by Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard 205 $a1st ed. 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2023] 210 4$d©2023 215 $a1 online resource (190 p.) 311 08$a9783111072272 311 08$a3111072274 327 $tFrontmatter -- $tCONTENTS / TABLE DES MATIÈRES -- $tFOREWORD -- $tAVANT-PROPOS -- $tON THE NOTION OF RESTORATION / DE LA NOTION DE RESTAURATION -- $tTRANSLATIO AND RESTAURATIO -- $tTHE REASON OF DISTANCE -- $tEX UNO LAPIDE -- $tOF SPACES AND PLACES. D?ESPACES ET DE LIEUX -- $tRAFFAELE MAFFEI AND THE DISCOVERY OF AN ETRUSCAN TOMB IN 1508 -- $tUne poétique de l?archaïque -- $tTEMPS MÊLÉS -- $tRECENT RESTORATION PRACTICES PRATIQUES RÉCENTES DE LA RESTAURATION -- $tTRANSPARENCE OU OPACITÉ -- $tLA MISE AU TOMBEAU DE VÉRONÈSE -- $tA COLONIAL RENAISSANCE? UNE RENAISSANCE COLONIALE ? -- $tNOVA ATLANTIS -- $tAcknowledgments / Remerciements -- $tCREDITS 330 $aDie Publikation widmet sich den Beziehungen zwischen Restaurierung und Politik in der Kunst der italienischen Renaissance. Die Frage nach der Herkunft als Grundlage politischer, patrimonialer und kultureller Identität bildet den Fokus der Betrachtungen. Anstatt ursprüngliche Formen und Bedeutungen wiederherzustellen, wurde die Vergangenheit entsprechend neuen Identitätsbedürfnissen umgestaltet: Räume wurden umorganisiert und Kunstwerke mit neuen Bedeutungen versehen. Die materielle und ästhetische Realität der Kunstgegenstände erfuhr somit eine Umgestaltung und Neudefinition. Ziel der Beiträge ist es, mögliche physische Veränderungen der Artefakte im Lichte ihrer symbolischen Umkodierung zu analysieren. Mit Beiträgen von Kathleen W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restaurierungspraktiken in der italienischen Renaissancekunst Kritische Hinterfragung des Renaissancebegriffs Umkodierung antiker Werke zu politischen Zwecken 330 $aThe aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. With contributions by Kathleen W. Christian, Caroline S. Hillard, Mateusz Kapustka, Jérémie Koering, Victor Lopes, Florian Métral, Arnold Nesselrath, Neville Rowley, Beat Wyss. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes 606 $aART / History / Renaissance$2bisacsh 610 $aFlorence. 610 $aGalleria dei Mesi. 610 $aRaffaello Maffei. 610 $aRaphael. 610 $aRenaissance Italy. 610 $aRome. 610 $aVeronese. 610 $aart 15th and 16th centuries. 610 $aart and politics. 610 $areception of Antiquity. 610 $arestoration. 615 7$aART / History / Renaissance. 676 $a709.4509024 702 $aChristian$b Kathleen W., $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGaffo$b Fabio$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aJaccard$b Mathilde, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aRiedmatten$b Henri de$4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aSchweizerischer Nationalfonds (SNF)$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910747089803321 996 $aRestoration as Fabrication of Origins$93420225 997 $aUNINA